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À propos de la notation chiffrée

La notation chiffrée (aussi appelée Jianpu, 简谱) note chaque son de la mélodie par un chiffre de 1 à 7 plutôt que par une note sur une portée. Le chiffre indique la position de la note dans la gamme du chant -- pas sa hauteur exacte -- de sorte que la même mélodie garde toujours la même apparence, quelle que soit la tonalité chantée.

Au sein d'une même octave, les chiffres 1 2 3 4 5 6 7 correspondent aux syllabes familières do ré mi fa sol la si. Un point au-dessus d'un chiffre le fait monter d'une octave ; un point en dessous le fait descendre d'une octave -- l'absence de point correspond à l'octave médiane, telle qu'écrite.

Un chiffre seul dure un temps. Un tiret (-) juste après un chiffre prolonge cette même note d'un temps supplémentaire. Un trait sous un chiffre le raccourcit au contraire -- un trait vaut un demi-temps, deux traits un quart de temps. Un 0 est un silence : une pause d'un temps.

L'indication en haut de la partition, par exemple "1=C" ou "1=Ab", précise la hauteur du degré 1 (le "do"). Un chant en mineur porte plutôt l'indication "6=X" -- le degré 6 (le "la") est alors la véritable tonique. Les noms d'accords indiqués au-dessus des notes (comme "C" ou "G7") restent toujours écrits avec leurs noms de lettres habituels, jamais sous forme de chiffres.

Par exemple, sous l'indication "1=C", les chiffres 1 2 3 4 5 6 7 correspondent aux notes C D E F G A B. Sous l'indication "1=G", ces mêmes chiffres correspondent plutôt à G A B C D E F# -- même forme, tonalité différente.

Around Thy table, holy Lord

Praise of the Lord Remembrance of Him

English216
1
Around Thy table, holy Lord,
In fellowship we meet,
Obedient to Thy gracious word,
This feast of love to eat.
2
Here every one that loves Thy name,
Our willing hearts embrace;
Our source of life and hope the same,
All debtors to Thy grace.
3
Commune with each at this blest hour,
Thy peace, Thy joy impart;
Thy thoughts of love, of truth, of pow’r,
Impress upon each heart.

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Un Hermano

déc. 14, 2025

The Continuation of
the Christian Life
the Lord’s Table
------------------------

After we are saved, day by day and week after week we feast at the table. First Corinthians 10:21 says, “You cannot drink the Lord’s cup and the demons’ cup; you cannot partake of the Lord’s table and of the demons’ table. ” After we get saved, we have to come to the Lord’s table continually, at least once a week. Lord’s Day after Lord’s Day we come to a table. The real remembrance of the Lord is to partake of Him by eating and drinking Him. First Corinthians 11:24 says, “Having given thanks, He broke it and said, This is My body, which is given for you; this do unto the remembrance of Me. ” The breaking of the bread is that we may eat it (Matt. 26:26). The real remembrance of the Lord is to take Him and eat Him. We do not remember the Lord by using our mind to think, to consider, to meditate on, something about the Lord. But we remember Him by exercising our spirit to feed on Him. First Corinthians 11:25 continues, “This cup is the new covenant established in My blood; this do, as often as you drink it, unto the remembrance of Me. ” Again, the real remembrance of the Lord is to eat Him and to drink Him.

Chapter 11 The Tree of Life

CWWL, 1965, vol. 2 (LSM)

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Ana Lara

Storrs, Connecticut, United States

mai 16, 2021

This beautiful Lord’s table hymn, which has been used with the “sweet feast of love divine, ” was written by the wife of a country parson, and first appeared in a collection of hymns used by the Brethren, published in London in 1842.

Mary Peters the writer, was the daughter of Richard Bowly, and was born in Cirencester in 1813. She married John Peters sometime rector of Quennington, Gloucestershire; and in the stillness of the old rectory many of her hymns were written.

Of the many compositions by this gifted writer “Around Thy Table Holy Lord” Is the shortest, and one of the sweetest.

To enjoy to the full extent this song of supplication is to join in the singing of it to the old tune “Wilshire, ” A melody so closely associated with the 23rd Psalm, and yet very well suited to give expression to the theme brought out in the words of this composition.

Another beautiful hymn by the same author begins:

Oh Lord, how much Thy name unfolds
To every opened ear;
The pardoned sinner’s memory holds
None other half so dear.
Jesus! It speaks a life of love,
Of sorrows meekly borne;
It tells of sympathy above,
Whatever grieves we mourn.

Other familiar hymns written by Mrs. Peters are: “The holiest now we enter, ” “Praise ye the Lord again and again, ” “Through the Love of God our Savior, ” and “O blessed Lord what hast Thou done! ”

Mary Peters died at Clifton, Bristol, on July 29, 1856.

One of the most renowned literary works of Mrs. Peters was a history of the world from the creation to the accession of queen Victoria, published in seven volumes, which took up a considerable amount of time to complete. And yet, with the passing of time, while this addition of historic literature has now become obscure, Mary Peters’ hymns have never lost their sweetness to the voice which sings them and are found in almost every Christian hymnal.

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Francis Y Chow

Anaheim, CA, United States

mars 14, 2020

Here every one that loves Thy name,
Our willing hearts embrace;
Our source of life and hope the same,
All debtors to Thy grace.

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Yuan Liou

Chico, CA, United States

févr. 3, 2020

We really enjoy this little hymn this Lord's Day before His table. We come together to eat the feast of love and we have the same life and hope that we commune with one another in peace, joy, and love. Amen Praise the Lord.

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