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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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主耶穌,你美麗奪了我心

愛慕耶穌

Chinese305
1
主耶穌,
你美麗奪了我心,
我全心向你完全敞開;
釋放我,
脫離宗教的義務,
只讓我永遠享你同在。
當我在此注視你的榮耀,
我的心充滿了你榮耀;
浸透我,主,
我今懇切求禱,
以你靈與我靈永相調。
2
光照者─
我的天何等明亮,
我看見人子在寶座上;
聖別者,
以神的火焰燒我,
直等我因你灼灼發亮!
主,當我初次
看見你榮耀,
自愛與誇耀同歸羞慚;
今我心湧出愛戴與頌讚,
品嚐你名裡一切肥甘。
3
寶貝主,
我將真哪噠香膏,
為你愛,欣然打破傾倒,
我的主,
我前來膏你的頭,
看哪,主,
為你我獻上好。
親愛主,
我甘願為你枉費,
愛著你,我深處就滿足。
為著你,
貴重油我早豫備,
要將愛從心深處倒出。
4
良人哪,
快來到香草山上,
我切慕與你早面對面。
主,請喝
我心所流出之泉,
我巴望永遠在你身邊。
我並非單獨的來愛你,
主,乃是與
眾聖作你新婦;
快來罷,
我們愛已經久等,
主耶穌,願意你得滿足。

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李涛

洛杉矶, 加州, United States

Nov 8, 2025

良人哪,
快来到香草山上,
我切慕与你早面对面。
主,请喝
我心所流出之泉,
我巴望永远在你身边。
我并非单独的来爱你,
主,乃是与
众圣作你新妇;
快来罢,
我们爱已经久等,
主耶稣,愿意你得满足。

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Joseph Huang

Taipei, Taiwan

Dec 24, 2023

Oh Lord Jesus 浸透我!

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Gary

Seattle, WA, United States

Apr 16, 2023

主,为你我献上好, 甘愿为你枉费, 贵重油我早豫备,要将爱从心深处倒出…. 这是燔祭,活祭!

Read more
黃弟兄

United States

Nov 13, 2022

我並非單獨的來愛你,
主,乃是與
眾聖作你新婦;
快來罷,
我們愛已經久等,
主耶穌,願意你得滿足。

Read more
萧姊妹

长沙

Feb 6, 2022

快来罢!我们已久等!感谢主!愿祢得满足!

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法拉盛青年排Ii

Flushing, NY, United States

Feb 26, 2021

主耶稣,
你美丽夺了我心,
我全心向你完全敞开;
释放我,
脱离宗教的义务,
只让我永远享你同在。
当我在此注视你的荣耀,
我的心充满了你荣耀;
浸透我,主,
我今恳切求祷,
以你灵与我灵永相调。

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高越

西雅图

Sep 20, 2019

主啊,你的美真的夺了我心。这首诗歌是我结婚聚会选的诗歌,每次唱都有更新的感动

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Paul Lin

Taipei, Taiwan

Sep 16, 2019

膏油塗抹使我們親近主!

今天在我们里面,生命的律顶替了旧约的律法;圣灵膏油的涂抹,顶替了旧约的申言者。我们虽然仍守律法,但不是守外面的律法,乃是守里面的律法,这个律法就是神的生命。圣灵在我们里面,作膏油涂抹,就是我们的申言者。

我们能不能是别人的申言者呢?比如,有位圣徒想去一个地方,他就来与我们交通:“可以不可以请你替我寻求神,我该不该去那个地方?”…他问我们当然不对,我们不该作他的申言者,但是他问自己也不对,因为他不能作自己的申言者。那么他该问谁呢?他应该问他里头的膏油涂抹,他里头的膏油涂抹就是他的申言者。召会的负责弟兄不是我

们的申言者,同工也不是我们的申言者;我们更不是别人的申言者。

那个感动人作申言者的灵,就是膏油涂抹到人身上作申言者的。那个膏油已经涂抹到我们里面,所以我们再也不需要什么代表人物,来作我们的申言者。…在旧约时代,是神的灵临到一些人,只感动他们在那里作人的申言者。…旧约感动人作申言者的那灵,今天已经作为膏油涂抹进到我们里面,亲自、直接作了我们的申言者。(再论生命的认识,

二一二至二一三页。)

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黄姊妹

长沙

Jun 2, 2019

看見祢榮耀,

自愛與誇耀同歸羞慚!

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唐姊妹

桂林

May 19, 2019

哦主啊!爱着祢,我深处就满足!

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