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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus Christ, You are the Man-Savior

Praise of the Lord His Humanity

New Songs294
 
Jesus Christ You are the Man-Savior
Expressing God;
Beautifully, sweetly, and pleasantly.
1
Jesus Christ, the genuine, complete,
Moral, perfect Man revealing God;
In His saving grace to fallen man,
In the Jubilee of grace.
 
Jesus Christ You are the God-Man—
The reality,
The reality of the Jubilee.
2
Tell me all about the Shepherd Who
Left the ninety-nine to find the lost sheep;
How You came to earth to search for me,
And came rejoicing when You found me.
[Repeat Chorus 1]
3
Tell me all about the Woman Who
Lit the lamp and swept
Throughout the whole house,
Seeking everywhere to find one coin!
I’m so glad the Spirit found me!
[Repeat Chorus 2]
4
Tell me all about the Father who
Waited every day to greet His lost son;
Kissed his neck
And gave him the finest robe,
And brought him back into the household.
[Repeat Chorus 1]

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Patrick Casey

Everson, WA, United States

Aug 10, 2025

This song was written based on two banners we had during a high school conference on the Gospel of Luke in Arlington, TX many years ago. I was very impressed that the Gospel of Luke portrays Christ as a genuine, moral, perfect man, while also expressing God in His divinity in the highest human virtues.

The Gospel reveals that Jesus commenced His ministry by reading from Isaiah, clearly indicating that Isaiah prophesied concerning Him as the anointed one who came to proclaim the reality of God's jubilee, wherein all men in whatever kind of bondage they suffered, were released by Him in His saving grace to fallen man. Thus this whole Gospel is just the glad proclamation of freedom, of the real jubilee!

Also, this Gospel tells us that Jesus would go in the morning to speak in the court of the temple, "as was His custom". I could just picture Him speaking in the freshness of the morning to His loving seekers who were also described as, "hanging on His words". Thus this song is written from their perspective, repeatedly asking Him, "tell me all about..." as they eagerly received His declaring of the jubilee of grace as the expression of the Triune God's loving heart in the three aspects of the Good Shepherd, the fine, seeking Woman, and the joyful, welcoming Father as in chapter 15. It seems they could not get enough.

Perhaps 30 or 40 years later, I still feel that way today.

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Justin

Helsinki, Finland

Jan 28, 2025

Jesus Christ is the reality of Jubilee!

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Victor Lannes

Duque De Caxias, Rio De Janeiro, Brazil

Aug 15, 2024

In tears… Amen!

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Jhovz

Pasig, NCR, Philippines

Nov 20, 2018

Thank You Lord Jesus. You are our Jubilee.

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konga

Mumbai, Maharashtra, India

Dec 15, 2008

Excellent. Been a member for seven years.

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kristelmagiemaypasion

Solsona, Ilocos Norte, Philippines

Dec 6, 2008

It reminds me that the Lord Jesus is our real Jubilee. He is our rest and satisfaction. When we're in the Lord in our regenerated spirit, everything is all right; no pain, no sadness, no anxiousness.

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