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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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He stepped out of glory

Praise of the Lord His Increase

New Songs762
1
He stepped out of glory
And put on the lowly.
And life’s very Author
A creature became.
Despised and forsaken,
Afflicted with sorrow,
From infinite splendor
To the likeness of shame.
2
He chose to be humbled,
He chose limitation,
He chose to be finite,
He chose to be man.
God’s unfathomed purpose
Found substance in Jesus;
A two-natured being—
The unique God-man.
3
His own shell was broken,
Releasing His glory.
This life-impartation
Produced many grains.
The Firstborn rejoices
With His many brothers;
An incorporation—
Divine and human.
4
We cannot but love Him,
Our lovely Forerunner.
His shame was our vict’ry,
His anguish our joy.
The children of judgement
He brought into glory.
The millions of God-men
Forever rejoice.

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Eyerusalem Temesgen

El Paso, TX, United States

Aug 29, 2026

The children of judgement
He brought into glory.
The millions of God-men
Forever rejoice.

For it was fitting for Him, for whom are all things and through whom are all things, in leading many sons into glory, to make the Author of their salvation perfect through sufferings." (Hebrews 2:10)

Hallelujah! He brought us out of judgment leading usunto glory!

Read more
Pearl

Loughborough, Leicestershire, United Kingdom

Oct 23, 2025

Philippians 2:5-11 shows us that

Christ voluntarily chose to drop authority and pick up submission. What an astounding thought and what a marvellous mercy.

How else could He have become the Lamb of God and the totality of all the offerings on our behalf?

Thank You Triune God!

Read more
Jack Petrash

Irving, TX, United States

Jun 2, 2024

For God so loved the world that He sent His only begotten Son...

Now through the process of His incarnation, human living, all-inclusive death, resurrection, ascension, and descension as the life-giving Spirit, there are many God-men expressing Him now and for eternity will exalt Him as the New Jerusalem!

What a powerful hymn!

Read more
Jessica R Bussell

Valley View, TX, United States

Apr 22, 2024

He chose to be humbled,
He chose limitation,
He chose to be finite,
He chose to be man.
Lord Jesus, in all that You are, I love You!

Read more
Nelson Liu

Irvine, CA, United States

Mar 23, 2024

We cannot but love Him, our lovely Forerunner.

Read more
Marie

London, United Kingdom

May 31, 2023

We cannot but love You precious Lord Jesus. We will love You forever

Read more
Stephanie Cooley

Citrus Heights, CA, United States

Mar 19, 2023

His shame... our victory! We cannot but love Him!

Read more
Joyce Grose

Simsbury, CT, United States

Oct 30, 2022

This is one of my favorite hymns. Hope the music coming soon. Praise the Lord for what He has done for us, millions of God-men!

Read more
Raul Ramirez

Arvada, Colorado, United States

Jun 26, 2022

The Firstborn rejoices with His many brothers. Hallelujah! We are now the many God-men!

Read more
Sebastian Barros

Anahiem, CA, United States

Apr 4, 2022

What a God-man

Read more