Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

From the time I spoke Your name

Assurance and Joy of Salvation Satisfied with Christ

New Songs168
1
From the time I spoke Your name,
Lord, my life’s not been the same
Since I called on the only One who’d save me.
When forsaken, in despair—
Who’d have thought that You’d be there!
Now I’ve found out, Jesus, You’re alive!
 
Now my eyes begin to see
I’m living as I ought to be,
As this turning, burning God
moves in my heart...
I don’t care now how I feel;
I just know that this is real,
And I know, oh Jesus, You’re alive!
2
All my friends might think it’s square—
Since I touched You, I don’t care—
For I’ve found You’re the only life worth living.
Though some mock and criticize,
Lord, they just don’t realize
That I’ve found out, Jesus, You’re alive!
3
It’s no statue that I call,
Not a picture on the wall,
But a person who lives His life within me.
Wish they’d told me long before,
All You want’s an open door
And that really, Jesus, You’re alive!

Delete Comment

Delete this comment? This cannot be undone.

Francisco Benitez-cofiño

Miami, Florida, United States

Feb 15, 2013

Amen, Hallelujah! He is "Not a picture on the wall, but a person who lives His life within me." Thank You, Lord Jesus for living inside of me!

Read more
Maria Jesusa Lagutan Tabang

Puerto Princesa City, Palawan, Philippines

Oct 19, 2012

I love this song very much because I feel relaxed every time I sing this song, and I really like to recite this song so that everywhere and everything I worked I can sing this. I love You Jesus...

Read more
Ma.Jesusa Tabang

Puerto Princesa City, Palawan, Philippines

Oct 12, 2012

I love this song very much...I love JESUS....

Read more
Michael Cofino

Miami, Florida, United States

Sep 22, 2012

"All my friends might think it's square—
Since I touched You, I don't care—
For I've found You're the only life worth living.
Though some mock and criticize,
Lord, they just don't realize
That I've found out, Jesus, You're alive!"

Hallelujah for such a glorious declaration! Praise Jesus!! I love Jesus Christ. My life belongs to Him.

Read more
Reynaldo Delos Reyes P.

Zamboanga Sibugay, Philippines

Feb 27, 2012

Amen. calling Oh Lord Jesus! is so sweet. It's not a statue that we call, nor a picture on the wall. As Christians in the Lord's recovery it must be our breathing: Exercise every moment and reading His word must be our Daily diet, then finally Praying must be our thirst quencher to drink Him.

Read more
Clarence Cosmas Cobbold

Accra, Ghana

Nov 30, 2011

This a glorious song of dedication to the Lord.

I miss singing it with the other dear saints on KNUST campus. Our meetings were always filled with singing and rejoicing in the Lord. Hallelujah for Christ and the church.

Read more
Angelina Rafael

Baguio City, La Trinidad, Benguet, Philippines

May 1, 2011

Praise the Lord. I am blessed with this song. How I wish you will have the complete music sheets for SATB voices.

Read more
Hilda Ybanez

Sta. Maria, Ilocos Sur, Philippines

Mar 31, 2011

Oh Lord Jesus! We praise and thank You for You are the ever living God. We love to call Your name. Amen.

Read more
Kira Mantanic

Calgary, Alberta, Canada

Mar 10, 2011

When I spoke ont he Lords name I just knew He

was alive in me. The burning turning God whos in my heart. Poeple say hes a statue or a picture, but for Christians he is the living one. ALL YOU WANTS A OPEN DOOR AND THAT REALLY JESUS YOU'RE ALIVE!

Read more
Catherine

Seoul, South Korea

Mar 10, 2011

The Lord is so great and awesome! I love to speak the name of the One I love!!! He is rich to all who call upon His name! Oh Lord Jesus!

Read more