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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Morning dawn had arisen

Experience of Christ Loving Him

New Songs169
1
Morning dawn had arisen,
Abraham saddled his donkey,
Took his two young men with him
And Isaac, his beloved son.
Lord, You’re God’s only Son
And of God begotten
“This is My beloved Son, in whom
I am well-pleased.”
2
To his young men he said then,
“Stay and we’ll return to you.”
To Moriah he led him,
His son Isaac, just them two.
Just the son and the father,
Speaking with one another.
Isaac said, “My father!” Abraham
said, “Here I am.”
3
As You spoke with Your Father
You bore the wood God laid on You;
As a lamb to the slaughter
Obedient to the death were You.
Precious blood of a Lamb,
Slain from when earth began,
Laid Your life down for Your sheep, in love,
that I might live.
4
Man of sorrows, I love You.
From You men did hide their face.
With no majesty to You,
Despised, forsaken, and disgraced.
For my sins You were crushed.
Lord, I love You so much.
Chastened, scourged and then pierced through, my griefs
and sorrows bore.
5
Dead in sins and offenses,
I’m a bruised reed—smoking flax.
Yet to death You were given,
For of Your sheep, You’d not lose one.
Like the woman, I’d weep,
Flow my tears at Your feet.
Jesus Lord, I just love You—dear Lord,
Jesus my Lord.

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Jonah Tien

Cupertino, CA, United States

Mar 26, 2023

Man of sorrows, I love You.
From You men did hide their face.
With no majesty to You,
Despised, forsaken, and disgraced.
For my sins You were crushed.
Lord, I love You so much.
Chastened, scourged and then pierced through, my griefs
and sorrows bore.

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Jeffrey

California, United States

Aug 27, 2022

Precious blood of a Lamb,

Slain from when earth began,

Laid Your life down for Your sheep, in love, that I might live.

Read more
Vyola

Jakarta, West Java, Indonesia

Feb 14, 2021

Isa. 53:3 "He was despised and forsaken of men, A man of sorrows and acquainted with grief; And like one from whom men hide their faces,   He was despised; and we did not esteem Him."

He was not only lose His rights,
He made it till the end, on the cross.
How can we toward Him still hardened be,
While to us He gave all selflessly?

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William Jeng

Irvine, CA, United States

Nov 16, 2017

Man of sorrow I love You! So many times after Jesus carried out miracles like raising the dead or feeding the five thousand in the gospels, the crowd wanted to crown Him king on the spot. But instead, he would run away from the crowd and into the mountains and pray to the Father...

The son doesn’t care for anything else except The will of the Father! The son was obedient even unto death. Praise the Father, thank You for sending us Your son!

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Nelson Liu

Irvine, CA, United States

Jun 27, 2015

Lord, thank You for dying for us that we may live! Jesus Lord, I just love You!

Read more
Steve Miller

Detroit, MI, United States

Feb 13, 2010

The 1st 3 verses about Isaac and Abraham are heart-wrenching, and I like the tender, but lively tune.

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Rea Araojo

Zamboanga, Philippines

Dec 5, 2009

I like the song. It's wonderful because it speaks of our experiencing Christ in His humanity! :D

The tune comes out to be so pleasant when played on the guitar! ^_^

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Emely Maghanoy

Molave, Zambo Sur, Philippines

Oct 12, 2009

I like this song because it encourage me to remain in the LORD'S RECOVERY!!!! HALLELUJAH!

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