Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

There is a green hill far away

Gospel Redemption

English995
1
There is a green hill far away,
Without a city wall,
Where the dear Lord was crucified,
Who died to save us all.
 
Oh, dearly, dearly has He loved,
And died our sins to bear;
We trust in His redeeming blood,
And life eternal share.
2
We may not know, we cannot tell,
What pains He had to bear;
But we believe it was for us
He hung and suffered there.
3
He died that we might be forgiven,
He died to make us good,
That we might from our sins be freed,
Saved by His precious blood.
4
There was no other good enough
To pay the price of sin,
He only could divine life give
And dwell Himself within.

Delete Comment

Delete this comment? This cannot be undone.

Kelly-Ann Lannaman

Kingston, Jamaica

Feb 28, 2026

Thank you Lord for salvation. Wake to this song playing in my mind. Took me back to went I was a child hearing it sang in church. A beautiful hymn. Lord I give you all the praise and the glory.

Read more
Nicola Williams

Feb 26, 2026

When I was 8 in St Catherine Jamaica, now nearly 50 in UK

Read more
Allen Peter Roberts

Steinbach (Taunus), Hessen, Germany

Apr 7, 2025

Remeber my time as a child in St. Helens. Lancashie. Now a old man in Germany.

Read more
Anthony Nnadi

Plastow, London, United Kingdom

Sep 19, 2024

This hymn often takes me down memory lane. We sang this hymn a lot when I was in secondary school in Nigeria.

Read more
Doris Castle

Ryde, Isle Of Wight, United Kingdom

Apr 3, 2022

This hymn was sung by my school , at an outdoor Easter service, at Middlefield School, in the morning Scottish sunshine. When I was about 8-10 years old. The words touched my heart and mind that day, and led me on to Salvation. I'll never forget how it touched me abd my life!

Read more
Ana Lara

United States

Aug 19, 2020

Mrs. Cecil Frances Alexander, one of the finest English women hymn writers, was born in Tyrone, Ireland. Before her marriage to Rev. William Alexander in 1850, who became archbishop and Primate of the Anglican Church of Ireland, she was active in the Sunday School movement that had started in Great Britain. Cecil Alexander loved to teach children spiritual truths through the use of hymns suitable for them.

In 1848 she published a volume of children’s hymns that covered a wide range of doctrinal subjects such as Baptism, the Apostles’ Creed, the Ten Commandments, and the Lord’s Prayer. Almost all of the 400 poems and hymns that were written by Mrs. Alexander were intended for children. The language is direct and easily understood as it is in this hymn, yet this beautiful text expounds in a touching way the story of Christ’s redemption.

Mrs. Alexander wanted to teach her Sunday School class the meaning of “suffered under Pontius Pilate, was crucified, dead and buried” (Apostles’ Creed). This hymn has also been greatly used by Christians in congregations for over a century.

After she married Rev. Alexander, she was involved in helping him in his parish duties as well as works of charity. Her husband once wrote this tribute about her, “From one poor home to another she went. Christ was ever with her, and in her, and all felt her influence. ” Those who knew her well said that her life was even more beautiful than her hymns and poetry. She was a very humble woman who disdained praise for her accomplishments. On one occasion, someone wrote to tell her of a worldly man whose heart and life had changed after hearing one of her hymns being sung. Mrs. Alexander exclaimed joyfully saying, “Thank God, I do like to hear that. ”

George Stebbins, well known in the field of American gospel music, composed the tune for this text. He was born on February 26, 1846 in Orleans County, about fifty miles northeast of Niagara Falls, Ontario, Canada. When he was twenty-three he moved to Chicago to be associated with the Lyon and Healy Music Company. In 1874 he moved to Boston and became a music director of the Clarendon Street Baptist Church. It was there that he met D. L. Moody and Ira Sankey and partnered up with them. He also worked with evangelists such as George F. Pentecost and Major D. W. Whittle. After the untimely death of Phillip P. Bliss in 1876, Stebbins and James McGranahan assisted Ira Sankey in editing and compiling the third, fourth, fifth and sixth editions of the “Gospel Hymns” series.

Stebbins composed this tune for Mrs. Alexander’s text in 1878, and it first appeared that same year in “Gospel Hymns No. 3”. The hymn became one of the songs used in the evangelistic campaigns of Moody and Sankey and other similar gospel meetings during that era.

Read more
Louis

Colma, CA, United States

Aug 14, 2020

This is the favorite hymn of

J. Gresham Machen

Read more
Henrich Brockhaus

Bellingham, WA, United States

Jul 27, 2020

Dear Susan, this hymn fits right into the Easter Season, but to be technical, it is a wonderful Good-Friday hymn. His resurrection is not expressly mentioned here but only taken for granted. His death and resurrection are of course the very core of our gospel message and thus the classification. This hymn invites us to meditate on the great cost to Him to save us and then to help us in life with Him in the Holy Spirit living in our heart and also to guarantee our future with Him. Thanks and all blessings to such a Savior!

Read more
Obongofon Monday Idiong

Port Harcourt, Rivers State, Nigeria

May 2, 2020

God bless the composer of this great hymn.
It's so rich with many messages.
We do use it in my high secondary school days.
It blessed my life this morning during my personal devotion.
Hallelujah.

Read more
Susan

St Albans, Herts, United Kingdom

Apr 14, 2020

I was surprised to see this categorised as Gospel. It is a classic Easter Hymn sung on Easter Day in Anglican churches.

Stay Safe.

Read more