Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

We rest on Thee, our Shield and our Defender

Spiritual Warfare In Faith

English881
1
We rest on Thee, our Shield and our Defender;
We go not forth alone against the foe;
Strong in Thy strength, safe in Thy keeping tender.
We rest on Thee, and in Thy Name we go.
2
Yea, in Thy Name, O Captain of salvation!
In Thy dear Name, all other names above;
Jesus our Righteousness, our sure Foundation,
Our Prince of glory and our King of love.
3
We go in faith, our own great weakness feeling,
And needing more each day Thy grace to know:
Yet from our hearts a song of triumph pealing;
We rest on Thee, and in Thy Name we go.
4
We rest on Thee, our Shield and our Defender:
Thine is the battle, Thine shall be the praise
When reigning in the Kingdom of Thy splendor;
Victors, we rest with Thee, through endless days.

Delete Comment

Delete this comment? This cannot be undone.

Celita Louback Welsch

Fennville, Michigan, United States

Jul 23, 2018

I cried a lot and while singing the will of my Lord is my strength. I love Him and being in so many hostil countries I feel safe because whatever happens to me, I always will be with Him and He always will be with me!

Read more
Anonymous

Jun 10, 2018

Oh our precious Master, our Author of salvation , Prince of glory, King of Love how we thank You from the depth of our heart . we are Your slaves of Love , Soldiers of Love to bring You back on this earth we long for this our dearest Beloved and Husband.

Read more
Ana Lara

Tolland, Connecticut, United States

May 26, 2018

Edith Gilling Cherry was born February 9th, 1872 Plymouth, Devon, England and died August 29th, 1897. She was only 25 years old, yet in her short life she managed to write poetry and hymns which are still popular today.

Edith was stricken with polio in infancy and needed to walk with the aid of crutches for the rest of her life. At age 6, her only sister, fifteen months younger than she, died. At age 12, she suffered a stroke and on August 29, of 1897, Edith suffered another stroke that caused her early death. Just before passing, Edith and her mother exchanged this conversation “ It all seems so small, all I have tried to do , so small to Him”. Her mother replied “ There are your songs dear, they will carry on your work”. But Edith replied “Ah but they were not mine at all, they were just given to me all ready and all I had to do was write them down”. Her poetry book “The Master’s Touch and Other Poems” are selected poems from the writings of Edith G. Cherry by her mother Matilda Cherry.

The tune for this hymn was written by Finish composer Jean Sibelius (1865-1957). He wrote musical score for a historical tableaux in a pageant that celebrated and supported Finland’s press against Russian oppression.

Read more
Donald Kinnie

White Rock, BC, Canada

May 14, 2018

This song was sung at my graduation from Bible College in 1966 - 52 years ago. The Lord brought it to my mind today from somewhere deep within my memory. So I looked it up online. Now retired from the ministry these words still move me deeply.

Read more
Ron Rogalski

Santa Ana, California, United States

Mar 22, 2018

This hymn, sung by Jim Elliot, Nate Saint, Pete Fleming, Roger Youderian, and Ed McCully on the night before they were killed in the jungles of Ecuador, is a part of the musical, AT ANY COST.

Read more
Lloyd Daniels

Lydney, Glos.

Feb 26, 2018

This incident (Mid Century Martyrs was the title of the original film) had a great impact on me as a young Christian in my late teens. It influenced my interest and involvement in missionary work. I praise God for that and for the opportunity to be arranging currently for the stage version "Reckless Abandon" to be hosted at my church in Bream, Forest of Dean, Gloucestershire on Monday 11th June this year. We shall be singing this hymn then - and possibly before that too!

Read more
KC

Feb 25, 2018

I wasn't around 60 years ago. The movie you're talking about, was that about the missionaries or about Eric Liddell? For the former, I was only aware of "Tte End of the Spear". For the latter, "Chariots of Fire."

Read more
Toyin Diyan

London, United Kingdom

Jan 3, 2018

Hallelujah they followed in the steps of their Saviour - I refer to the story of the missionaries who were murdered for the sake of the gospel. Literally without the shedding of blood man cannot be saved. Lord Jesus we praise You for Your precious death and the death of all the saints You gave their lives to bring others to faith. Lord these things are Your doing and they are marvelous in our eyes! Thank You Saviour God. Amen

Read more
Joan Dennis

West Midlands, United Kingdom

Sep 18, 2017

I too saw the film when I was 12 years old. I am 73 years old now and I still remember the amazing words. What an awesome God we serve. And one day we shall see them.

Read more
Alex

Jul 28, 2017

Yes, what helpful and wonderful words. I think this was a favourite of Eric Liddell's too.

Read more