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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I long for fellowship in spirit

The Church Her Building

English847
1
I long for fellowship in spirit,
That mingled with the saints I’ll be,
Long to be saved from independence
And to be built with saints in Thee.
2
I long for fellowship in spirit,
That opened shall my spirit be,
Long to be rescued from seclusion,
And with the saints to worship Thee.
3
I long for fellowship in spirit,
Long that my spirit forth may come,
Long to be saved from self-deception,
And every hindrance overcome.
4
I long for fellowship in spirit,
With saints in spirit thus to pray,
Long for deliv’rance from pretention,
Long for true fellowship today.
5
I long for fellowship in spirit,
Long thus to know authority;
Long for true fellowship in service,
Coordinated thus to be.
6
O Lord, fulfill our hearts deep longing,
Saints for such fellowship inspire,
That we may realize Thy building
And soon fulfill Thy heart’s desire.

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Heidi

Murfreesboro, Tennessee, United States

Jul 27, 2021

During COVID, many people around the world lacked and still lack the fellowship of other believers, causing them to lose hope and even causing some to end their own lives. What a wonderful and encouraging difference fellowship with our God and with other believers make. May we never take it for granted! Wonderful song!

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Jorge Minjarêz

El Monte, CA, United States

Oct 24, 2020

1 Cor. 1:9 God is faithful, through whom you were called into the fellowship of His Son, Jesus Christ our Lord.

1 Cor. 15:45 ... the last Adam became a life-giving Spirit.

1 Cor. 6:17 But he who is joined to the Lord is one spirit.

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Glory Jung

Anaheim, CA, United States

Sep 7, 2019

The Lord is THE fellowship and in the fellowship.

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Aidan

London

May 3, 2014

What a difference this kind of fellowship makes. I too have a longing for such fellowship. In Phil 1:8 Paul said: "For God is my witness how I long after you all in the inward parts of Christ Jesus." "... In longing after the saints, the apostle was one with Christ even in the bowels, the tender inward parts, of Christ. This indicates that for Paul to enjoy Christ meant that he was one with Christ's inward parts, in which he enjoyed Christ as the supply of grace." (Phil. 1:8 Footnote 1.)

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Sue Ellen Cox

Conover, NC, United States

Dec 19, 2010

Such a sweet experience...to have sweet fellowship in likemindedness...calling on the Lord! So beautiful. It makes a huge difference to be a part of the Body of Christ and under its covering and authority. Praise the Lord!

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James

Detroit, MI, United States

Nov 15, 2010

Don't forget authority! Authority issues from function in the Body and is God-ordained. We find our place in the Body, based on God-given function, and we strengthen the Body by being and functioning properly in the right place. In other words, we not only need the Body. The Body needs us. Please, Lord, guide us to our proper place and function in Your Body, and make our joy full. Amen.

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Theresa

United States

Nov 15, 2010

by the previous comments I'm reminded of the hymn: The love of God and the grace of Christ and fellowship of the Holy Spirit be with you all (from II Cor 13:14).

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Sherry

United States

Nov 7, 2010

I too long for fellowship in the love of God and the truth of the word of His Spirit. I am so tired of searching for a church. I am so tired of hearing bits and pieces of truth mingled with lies. Yet, I don't want to be lost in self-deception, pretension, independence (from God), or seclusion from the body of Christ. Only God can deliver me from this place of isolation.

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Max

Chicago, IL, United States

Oct 6, 2010

I appreciate the above comment. I have recently begun to actually experience some effects from the "spiritual cancer" of independence, seclusion, self-deception and pretension. May the Lord deliver us from such a predicament by bringing us into coordination and building! Nothing in the world compares to the coordination and building of the Body.

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