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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Down from His glory

Praise of the Lord His Incarnation

English82
1
Down from His glory,
Ever living story,
My God and Savior came,
And Jesus was His name.
Born in a manger,
To His own a stranger,
A Man of sorrows, tears and agony.
 
O how I love Him! How I adore Him!
My breath, my sunshine, my all in all!
The great Creator became my Savior,
And all God’s fullness dwelleth in Him.
2
What condescension,
Bringing us redemption;
That in the dead of night,
Not one faint hope in sight,
God, gracious, tender,
Laid aside His splendor,
Stooping to woo, to win, to save my soul.
3
Without reluctance,
Flesh and blood His substance
He took the form of man,
Revealed the hidden plan.
O glorious myst’ry,
Sacrifice of Calv’ry,
And now I know Thou art the great “I AM.”

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David Gibson

Melbourne, FL, United States

May 25, 2014

Praise be to the God of Abraham, Isaac, Jacob, and of William Branham.

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Urim

Tolingon

May 21, 2014

Oh how I love Him and adore Him, He was born in a manger, flesh and blood His substance, He was a Savior, He died in the cross. I love the song I've heard after Typhoon Yolanda. It's a good song. It gives me happiness. It helps me remember the birth and death of Jesus. Oh Lord Jesus. Amen!

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James Tan

London

May 12, 2014

i have heard this song before and now I have the lyrics. I am going to sing it tonight as my testimony in my church home group. Many thanks for providing me with the lyrics and may God bless your wonderful services to mankind.

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Steve Miller

Detroit, MI, United States

Mar 30, 2014

Willam E. Booth-Clibborn was the son of Arthur ("There is no gain but by a loss") and Kate ("Oh, tame me, Lord" & "No mortal tongue can e'er describe") Booth-Clibborn and grandson of William Booth, the founder of the Salvation Army. William E. was born in Switzerland while his parents were establishing the Salvation Army there. He was a Pentecostal preacher. See the other comments for personal accounts of people who knew him.

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Dawn

Mv, NY, United States

Mar 19, 2014

Satan has managed to remove these songs from the church, replacing them with shallow, irreverent songs with bad theology. Hence the Church has become weak, ineffective. Worship has become mundane.

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Mike Thomas

Oct 31, 2013

My wife and I sing this song as a duet, she adds a little flare but we keep the basic music in tact. It's a great hymn that few people know about. Bless Mr. Booth for putting this to song.

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Stepfanie

Ontario, California, United States

Sep 14, 2013

O how I love Him! How I adore Him!
My breath, my sunshine, my all in all!
The great Creator became my Savior!
And all God’s fulness dwelleth in Him.

Read more
Ronie

Aborlan, Palawan, Philippines

Jul 11, 2013

The most Christ-centered song ever told. It declares about the glorious God who decided to become human to save His elect people. My prayers to all the composers in our era to write like this amazing song. To God is the Glory!

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Aaron

Hamilton, New Zealand

Apr 28, 2013

The last line in the last verse says I AM. This was in Exo. 3:14 - And God said to Moses, I AM WHO I AM. And He said, Thus you shall say to the children of Israel,  I AM has sent me to you. Then in John 18:6 - When therefore He (Jesus) said to them, I am, they drew back and fell to the ground. Jesus claim to be not only the son but also the very God himself

The divine title I am denotes that God is the One who is self-existing and ever-existing and who depends on nothing apart from Himself.

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Romell

Jan 17, 2013

My day would not start well if I did not sing this song, and I would not go to bed at night feeling happy if I did not sing it. I do not think there is a song on the face of the earth that trills my heart like this.

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