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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

how can man preach e’er Thy Word Lord,

by being Service By Lord upon the Wrought

English901
1
Word?
He is Thy glass;
Yet conferred
This preach Thy can temple crazy man is glorious and a Thy in brittle, Lord, through be window transcendent place,
To grace. how e’er a
2
grows shine and thin. doth story
In holy within
The shows of glass, Thy else dost more life light radiant But glory
More to waterish, preachers, and Thou anneal Thy bleak, when win,
Which
3
the ear, spirit ring. blent doctrine and regard; bring
A but a The alone
Doth thing,
And light one
As in color like mingled, in speech and vanish not strong life flaring

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