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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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He healeth me, oh, bless His name

Divine Healing Christ the Same as of Old

English755
1
He healeth me, oh, bless His name!
I want to spread abroad His fame;
From dread disease He sets me free,
The Lord my healer, strong is He!
 
He healeth me, He healeth me!
By power divine He healeth me;
He healed the sick in Galilee,
And now by faith He healeth me!
2
He healeth me! my simple faith
Believes the word that Jesus saith,
And takes the place of ardent hope,
Believes the Lord will raise me up.
3
He healeth me! I touch for cure
The border of His garment pure,
And virtue through my being flows,
A healing balm for nature’s woes.
4
He healeth me, as when of yore,
Their sins and sicknesses He bore;
Nor has He lost His power and skill—
Our blessed Christ is living still.
5
He healeth me! how oft I sought
This healing power, but found it not:
But now I trust with all my soul,
And now through faith He makes me whole.

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Maria L

Fremont, California, United States

Oct 21, 2024

We come to You, dear Lord, and we want to touch Your humanity. May Your divine power be transfused into us to become our healing today. We don’t want to just press against You but touch You in a personal and intimate way. Hallelujah, there is healing power in the Lord’s humanity and His human virtue! Praise the Lord!

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Ana Lara

Storrs, Connecticut, United States

Oct 22, 2022

William Bradbury, a pupil of Dr. Lowell Mason, and the pioneer in publishing Sunday school music, was born 1816, in York, ME. His father, a veteran of the Revolution, was a choir leader, where William’s love for music was inherited. He left his fathers farm, and came to Boston, where he first heard a church organ. Encouraged by Mason and others to follow music as a profession, he went abroad, and studied at Leipsic, and soon after returned his return became known as a composer of sacred tunes. He died in Montclair, New Jersey, 1868

(Brown and Butterworth)

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Anonymous

Detroit, MI, United States

Nov 20, 2016

Manie Ferguson was a pioneer leader in the American Holiness Movement, a Christian evangelist and social worker who co-founded the Peniel Mission, and the author of several hymns, most notably "Blessed Quietness".

She was born in the town of Carlow in County 84 km from Dublin, in the south-east of Ireland. On 7 June 1883, she married Theodore Pollock Ferguson of Mansfield, OH, a former minister in the United Presbyterian Church who had been converted in 1875 in Oberlin, Ohio through the preaching of evangelist Charles Finney. After relocating to Santa Barbara, California in 1879, he was entirely sanctified in a holiness revival meeting in 1880 in California. Initially TP became an itinerant preacher, before moving with Manie to Los Angeles during the boom of 1885-1886.

Manie along with her husband, founded the Los Angeles Mission on November 11, 1886. This was eventually renamed the Peniel Mission. From the outset, the Peniel Mission was undenominational and nonsectarian. In 1894, the Fergusons received a significant anonymous financial donation (from former English cricketer George Studd, brother of C.T. Studd). With this funding the Fergusons were able to plan to expand the ministry of the Peniel Mission. They invited former Methodist presiding elder Dr Phineas Bresee to join them in their endeavor, and constructed a 900-seat auditorium and ministry center. It was decided that there would be four superintendents: Theodore and Manie Ferguson, George Studd and Phineas F. Bresee.

On Sunday 21 October 1894 the 900-seat Peniel Hall was dedicated. University of Southern California president Dr. Joseph Pomeroy Widney led the 9.30am Praise Service, while Bresee preached in the 11.00am service. In the initial issue of the Peniel Herald, it was announced

"Our first work is to try to reach the unchurched. The people from the homes and the street where the light from the churches does not reach, or penetrates but little. Especially to gather the poor to the cross, by bringing to bear upon them Christian sympathy and helpfulness.... It is also our work to preach and teach the gospel of full salvation; to show forth the blessed privilege of believers in Jesus Christ, to be made holy and thus perfect in love."

As Timothy Smith explains:

Here were holiness and humanitarianism working hand in hand, as in the days of Wesley. And sectarian feeling was rejected: "Peniel Mission is thoroughly evangelical but entirely undenominational," the Herald declared. Its superintendents would welcome help from all "earnest souls . . . who have any time over and above the work in their churches that they desire to give."

After Bresee and Widney separated from the Peniel Mission in September 1895 to form the Church of the Nazarene, Manie Ferguson provided primary leadership of the Peniel Mission. According to Schwanz,

"Manie Ferguson was more outgoing than Theodore and was the guiding force for the expansion of the ministry. ... Under Manie’s direction, the Peniel Missions sought to provide a ministry for single women. This appears to have been a primary motivation in the growth of the movement. The women usually lived in rented rooms near the rented hall where they conducted evangelistic services. They boldly testified on street corners and in bars and houses of prostitution. All workers were unsalaried, but the local mission paid for most of their expenses. Even the Fergusons were not paid by the mission, but lived on the rental income from three small houses they owned."

According to Sandra Frankiel, "Together with his wife Manie, he offered street-corner meetings in the afternoons and evangelistic services nightly, with a meal afterwards. Their entire work, like that of most of the city holiness missions, was oriented toward soul saving and the promotion of holiness. The mission was not a church, however; converts were supposed to join one of the regular denominations. It was, rather, a holiness revival station spreading the message of Christian perfection." "The Peniel Mission used some of the same methods as the Salvation Army, including street-corner meetings followed by parades back to the mission hall."

After her husband's death in 1920, “Mother Ferguson” continued to direct the work until her own death. In 1947 the Peniel Mission became a part of the present-day World Gospel Mission. In 1998, the West Coast USA Peniel Missions experienced a significant change when the majority of Peniel Missionaries resigned from Peniel Mission and went to work for City Team Ministries leaving the Peniel Mission in Stockton, California the remaining American Peniel Mission affiliated with the World Gospel Mission. -wikipedia

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Adejoke

Lagos, Nigeria

Jun 16, 2015

I am so touched by this hymn. God is same forever. He healed so many times before and won't ever stop now. Hallelujah.

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Ikusika Olusegun

Ijebu Ode, Ogun State

Jul 12, 2014

I got to know about this song from my Father in Lord, just 2 days ago. And I strongly believed that healing will take place tomorrow in our service. Thank You Great physician.

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Abiodun Adeniyi

Ijebu Ode, Ogun, Nigeria

Jul 11, 2014

I was asked to preach to Medical practitioners on Sunday and as I was preparing my sermon this old song came up in my spirit as the congregation song for that message. I believe that God wants to do something special in the area of healing. I pray that all who are sick now wherever they are receive instant healing now in the name of Jesus. So shall it be.

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Mike Oye

Yardley, PA, United States

Jun 25, 2013

I was just about to start praying secretly for many known people who were seriously sick, when this hymn kept on coming to my mind. By singing it meditative lay, my faith has been strengthened. I have the assurance that many of those prayed for will be touched by the GREAT HEALER. Thanks for making the hymn available online.

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Gail

WA, United States

Feb 15, 2010

I been diagnosed with ALS but have faith that I am going to be healed. The begining words to this song started playing in my head. I found the wrods here and now know my angels and God are giving confirmation! What a beautiful tune.

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