Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

There is a name to Jesus given

Praise of the Lord His Name

English74
1
There is a name to Jesus given,
His matchless love its accents tell;
For it declares: He is my Brother,
And this His name—Emmanuel!
The Lord, by angels worshiped yonder,
Has stooped to earth with men to dwell,
Incarnate God, and man forever—
Our own beloved Emmanuel.
2
There is a name that’s still more precious,
That stirs our hearts with fondest love:
It is the charming name of Jesus,
The name all other names above.
It tells me that He is my Savior
From sin and sickness and the grave.
I love the precious name of Jesus,
For I am one He came to save!
3
Though dear to us the name of Jesus,
The name of Christ is higher still!
It tells of Him who dwells within us,
Our old heart to renew and fill.
It tells me of the Spirit’s fullness,
It brings the pow’r of Pentecost.
O blessed Christ, anoint me also,
And fill me with the Holy Ghost!

Delete Comment

Delete this comment? This cannot be undone.

Un Hermano

Aug 26, 2025

EXPERIENCING THE LORD JESUS AS THE SPIRIT

Through Calling on the Name of the Lord

Every believer has experienced calling on the Lord. We do not have to call loudly; we may also call softly. At night we may call softly so as not to disturb others. If we are in a convenient place, we may call with a loud voice. Our calling loudly is not for the Lord to hear us but for us to be released. A few days ago I had a cold, so the nurse taught me how to breathe deeply. In order to breathe deeply, we must use our diaphragm to inhale and to exhale. This is very beneficial. Calling on the Lord’s name is spiritual deep breathing that enables us to receive spiritual help. A brother who has lost his job and is not able to pay his rent may pray silently, “O Lord Jesus! I am miserable. I cannot find a job or pay the rent. Please help me. ” This prayer is very good. I have frequently taught others to pray such a prayer. The Lord answers such prayers. However, the brother may not feel comforted afterward, because he did not meet the Lord and therefore has no joy. But if he prays loudly, “O Lord Jesus! I am really miserable! I have lost my job, and I cannot pay my rent. Don’t You care, Lord Jesus? O Lord Jesus! ” Afterward, he will shed tears. When he prays in such a loud way, not only will the Lord hear him; he will be released, his sorrow will be turned into joy, and he will enjoy the Lord’s supply and consolation.

Our Lord is not a doctrine, nor is He a religion; He is not knowledge, facts, or explanations. The purpose of doctrinal expositions and revelations of truth in the Scriptures is to show us a living person—Jesus Christ, the Lord of heaven and earth, the origin of the universe, and the Creator of all things. He became a man, died, was resurrected, and became the life-giving Spirit. He is waiting to be received by us. We should never think that it is difficult to believe in Jesus. On the contrary, it is easy to believe in Jesus because He is God, the Savior, and the Spirit. His name is Jesus. The Bible says that He is “rich to all who call upon Him; for ‘whoever calls upon the name of the Lord shall be saved’” ( Rom. 10:12-13 ). It may seem as if we cannot meet or touch the Lord, but we know His name. There is a name in the universe that is unique. History shows that the name of Jesus is extraordinary. Whenever we call on His name, we are richly supplied.

The Proper Way for Believers
to Meet and to Serve
CWWL, 1988, vol. 1
Chapter 2 Section 2 (LSM)

Read more