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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

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Lord, we treasure with affection

Praise of the Lord His Suffering

English93
1
Lord, we treasure with affection
All Thy path of sorrow here,
And those closing scenes of anguish
To our hearts Thyself endear.
 
Praise Thee, Savior! Praise Thee, Savior!
Praise Thee, Lord, for sinners slain!
Give Thee glory! Give Thee glory!
Give Thee glory for the life we gain!
2
Deep Thy sorrow then, Lord Jesus,
Deeper far than thought can reach;
Grief intense and suff’rings holy,
Far beyond all tongues to teach.
3
None could follow there, blest Savior,
When redemption’s work was done;
For those suff’rings, deep, unfathomed,
Were, Lord Jesus, Thine alone!
4
Thou didst measure then sin’s distance,
Darkness, wrath and curse were Thine;
Man-betrayed, by God forsaken;
Thus we learn Thy love divine!

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Un Hermano

Oct 3, 2025

Hymns, #93, “Lord, we treasure with affection / All Thy path of sorrow here, ” is also good. This hymn is better than Hymns, #95 in continuing Hymns, #158. The fourth stanza of Hymns, #93 is the highest, speaking of sin’s distance and how far-reaching it is: “Thou didst measure then sin’s distance, / Darkness, wrath and curse were Thine; / Man-betrayed, by God forsaken; / Thus we learn Thy love divine! ” The contents of this stanza show the far-reaching scope of sin. Even though the Lord went through all these sufferings, we do not know the far-reaching scope of sin. Nevertheless, the Lord experienced all these things personally, measuring out the distance of sin, enabling us to see the length of sin’s distance: darkness, wrath, and the curse. It is not until we have such a realization that we can know the loveliness of the Lord. If we want to touch the feeling of a meeting, we must at least understand the meaning expressed through the words of the hymns.

Guidelines for the Lord's Table Meeting
and the Pursuit in Life
Chapter 4 (LSM)
CWWL, 1952, vol. 1

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Matthew Klester

San Francisco, California, United States

Feb 26, 2023

None could follow there, blest Savior!

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Obing Putis

Lakewood, Zamboanga Del Sur, Philippines

Jul 31, 2022

OH! LORD JESUS!
OH! LORD JESUS!
OH! LORD JESUS!
LORD we treasure with affection
All Thy path of sorrow here,
And those closing scenes of anguish
To our hearts Thyself endear.

Read more
Yuri Reyes

Oregon, United States

Feb 25, 2021

Praise Thee, Savior! Praise Thee, Savior!
Praise Thee, Lord, for sinners slain!
Give Thee glory! Give Thee glory!
Give Thee glory for the life we gain

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Steve Miller

Detroit, Mi, United States

Dec 21, 2013

The original hymn without the chorus is sung to the tune of #547, "Something Every Heart is Loving."

Stanza 3, 2nd line, says in the original:

When Thou didst for sins atone;

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