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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Thou, in whose presence my soul takes delight

Comfort in Trials By the Lord’s Presence

English687
1
O Thou, in whose presence my soul takes delight,
On whom in affliction I call,
My comfort by day and my song in the night,
My hope, my salvation, my all!
2
Where dost Thou, dear Shepherd, resort with Thy sheep,
To feed them in pastures of love;
Say, why in the valley of death should I weep,
Or alone in this wilderness rove?
3
Oh, why should I wander, an alien from Thee,
Or cry in the desert for bread?
Thy foes will rejoice when my sorrows they see,
And smile at the tears I have shed.
4
Ye daughters of Zion, declare, have you seen
The Star that on Israel shone?
Say, if in your tents my Beloved has been,
And where with His flocks He is gone.
5
Dear Shepherd! I hear, and will follow Thy call;
I know the sweet sound of Thy voice;
Restore and defend me, for Thou art my all,
And in Thee I’ll ever rejoice.

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Mark Sallade

Post Falls, Idaho, United States

Dec 9, 2022

“Ps 23:1 Jehovah is my Shepherd; I will lack nothing.
Ps 23:2 He makes me lie down in green pastures;
He leads me beside waters of rest.
Ps 23:3 He restores my soul;
He guides me on the paths of righteousness
For His name’s sake.
Ps 23:4 Even though I walk through the valley
Of the shadow of death,
I do not fear evil, For You are with me;
Your rod and Your staff, They comfort me.
Ps 23:5 You spread a table before me
In the presence of my adversaries;
You anoint my head with oil; My cup runs over.

Ps 23:6 Surely goodness and lovingkindness will follow me All the days of my life,

And I will dwell in the house of Jehovah
For the length of my days. ”
Holy Bible Recovery Version

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Akesha Chrste

Mnteg Bay, Trelawny, Jamaica

Feb 11, 2021

A strong and reassuring song of God's amazing grace and love. He's the balm in Gilead.

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Susan Wannie Bouhadir

Monrovia, Montserrado, Liberia

Jan 28, 2021

Lying down on this day thinking of how God have been good to me. He protected me in and out from my enemies all those times. I didn't realise until he exposed them. He defended me and restored me. I suddenly thought of this song. "O Thou in Whose Presence My Soul Takes Delight". This song is sang most Sundays at my Church, the Providence Baptist Church. Truly on whom in affliction, I called, my comfort by day, and my song in the night. My hope, my salvation, my all. Listening to to it brought relief to me right now. I am now relieved. Thank you Holy Spirit for signaling this song to my spirit. Amen

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Patience

Brooklyn Center, Minnesota, United States

May 31, 2020

This is my worship song, when I can't find the words to pray. The Holy Spirit just lays it on my heart. It has all the right words that says, "Jesus you're my all and all; and I thank you ".

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Yankoi Guluma

Tucson, Arizona, United States

Mar 31, 2020

This hymn has been a comfort to millions across the world especially in times of sorrow. The lyrics, and the Melody, goes deep within the soul.

Thank you !

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Ana Lara

Storrs, Connecticut, United States

Nov 11, 2019

Joseph Swain was born in 1761 at Birmingham, England and was left an orphan at an early age. He went to work as an apprentice to an engraver. He was attracted to the world and had an active social life. His ability to write songs was used for his worldly pursuits. He also wrote some plays. But God’s eye was upon him and he began to do soul-searching.

He bought a Bible and read and as a result was lead from darkness into light. Joseph was saved on May of 1783. He became a useful and active Christian.

In 1791 he took charge of a mission work in East Street, Walworth, London. He was not very strong and after a two weeks’ illness on April 14, 1796 at 35 years old, he heard the call from “His celestial voice that made his enraptured heart rejoice”.

He was buried in Bunhill Fields burial ground in London. His headstone recovered from its original site following a damage in WWII is now located in the paved broad-walk in the middle of the burial ground next to the obelisk of Daniel Defoe and the headstone of William Blake.

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Laura B Schutze

Rocky River, OH, United States

Mar 31, 2019

I have wondered where the words to this "This is my beloved, his form is divine, His vestments shine odors around, The locks on his head are as grapes on the vine, When autumn with plenty is crowned" originated. Anybody here have a suggestion for me? Thanks.

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William Alton Jr

Halethorpe, MD, United States

Mar 27, 2019

I was feeling down and this song came to me from my childhood.

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Merold Westphal

Feb 3, 2019

My father was a minister. On Sunday mornings, before church, he sat in his rocking chair and sang this song. Somehow it is the third verse that has stuck in my mind decades later, or perhaps I should say it has haunted my memory with its beauty ever since.

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Wanda Randolph

Eatonville, Florida, United States

Sep 2, 2018

Beautiful hymn. Meaningful to the soul. Some churches are straying away from traditional hymns to other generational jump music less meaningful.

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