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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Thou, in whose presence my soul takes delight

Comfort in Trials By the Lord’s Presence

English687
1
O Thou, in whose presence my soul takes delight,
On whom in affliction I call,
My comfort by day and my song in the night,
My hope, my salvation, my all!
2
Where dost Thou, dear Shepherd, resort with Thy sheep,
To feed them in pastures of love;
Say, why in the valley of death should I weep,
Or alone in this wilderness rove?
3
Oh, why should I wander, an alien from Thee,
Or cry in the desert for bread?
Thy foes will rejoice when my sorrows they see,
And smile at the tears I have shed.
4
Ye daughters of Zion, declare, have you seen
The Star that on Israel shone?
Say, if in your tents my Beloved has been,
And where with His flocks He is gone.
5
Dear Shepherd! I hear, and will follow Thy call;
I know the sweet sound of Thy voice;
Restore and defend me, for Thou art my all,
And in Thee I’ll ever rejoice.

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Wt

Feb 14, 2018

Where can I get the lyrics and shaped notes for this song?

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Richard Haymes

Winslow, Arizona, United States

May 20, 2017

Lovely!

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Matt Knighton, Sr.

Everett, WA, United States

Apr 8, 2017

I was introduced to this song when we sang it in our Simpson Bible College (San Francisco) choir in 1964-5 -- now Simpson Univ, Redding, CA.

Beyond the great memories, is the greater truth of His promised, abiding presence.

"Whom have I in heaven but you? I desire you more than anything on earth... as for me, how good it is to be near God!" (Ps. 73:25, 28a nlt)

Amazingly, He desires us far more than we could ever desire Him. What a great God!

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Lorrain Burnett

Brooklyn, New York, United States

Jan 29, 2016

This hymn has so much meaning to me. It was sung in our home growing up. My mother's favorite hymn and became the family's favorite. It was sung at my sister's funeral who died exactly 7 months ago today. I woke up this morning singing this hymn not even realizing it was the seven month anniversary of her death until I started writing the comment. This song is so comforting. Let us bask in the blessings of the Lord.

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Daniel

Jun 7, 2014

Blessed are they that hunger and thirst after righteousness for they shall be filled.

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Anestasie Danie-Dupre

La Porte, TX, United States

Jul 24, 2012

As a child growing up in the Caribbean Islands my churh choir sang this song so beautifully. The tune was so soothing even though I did not understand the meaning of the lyrics. I woke up one morning and the Lord just laid this song on my heart. As I listened to it over and over again it brought tears of joy to my heart knowing that the Lord was our Shepherd then and is still our Shepherd now, and His voice has never changed.

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Rosita Enriquez

United States

Jan 18, 2012

Brother Arthur in the comment below added 3 more stanzas, a line impressed me;

"And bask in the smiles of His face."

The Merriam-Webster's definition for "Bask" is "to lie or relax in a pleasant warmth or atmosphere, to take pleasure or derive enjoyment."

O Our Lord Jesus is our pleasant warmth and our pleasant atmosphere, we take pleasure in the smiles of His face, we derive enjoyment from this Most Precious Person!

Other synonyms are rest, kick back, loll, lounge, relax, repose.

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Annie

Miami, Florida, United States

May 8, 2011

I've been going through lately; and all I could remember was the very first stanza. I learned over 50 years ago as a youth choir member and a very active child in the church. It speaks peace to my soul and spirit. I love all the old hymns; they are soothing. Some may say we need something different; but, I tend not to agree.

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Arthur Brodie

Sterling, MA, United States

Nov 27, 2009

This is one of my all time favorites. There are other stanzas to this song equally beautiful and rich in the love of Christ.

1) His voice, as the sound of the dulcimer sweet
Is heard through the shadows of death;
The cedars of Lebanon bow at His feet,
The air is perfumed with His breath.

2) His lips, as a fountain of righteousness flow,
To water the gardens of grace;
From which their salvation the Gentiles shall know,
And bask in the smiles of His face.

3) He looks and ten thousands of angels rejoice,
And myriads wait for His word;
He speaks and eternity, filled with His voice,
Reechoes the praise of the Lord.

All the verses that would fill all the books ever written, couldn't do justice or describe the love and of God.

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Rev. Cordella J. Brown

Binghamton, NY, United States

Oct 30, 2009

This hymn has great meaning for me, from my youth. I would use it more in worship, but variety is needed.

I love this particular score with the minor notes adding to its beauty.

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