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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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All fair within those children of the light

Experience of Christ General

English598
1
All fair within those children of the light,
Though dark their brows beneath the desert sun;
Mysterious joys, far hidden from all sight,
The King of Glory giveth to each one;
No thought of man has pictured them,
No hand may touch that diadem;
Within God’s light His own abide
With hidden glory glorified.
2
To earthly eyes they are as Adam’s race—
They wear the earthly form, and scars of pain
On them as on all sinners leave their trace;
Their outward needs are those of other men.
And theirs the forms of earthly life,
Theirs sleeping, waking, want, and strife,
Yet this they have that they despise
What fairest seems to earthly eyes.
3
And inwardly their life is from above,
The Lord’s Almighty Word hath quickened them;
Flames kindled from the everlasting Love,
The children of the New Jerusalem;
Their brethren are the saints in light,
And songs of sweetness infinite
They sing with them to God Most High,
A deep and wondrous melody.
4
They walk upon the earth, and dwell in heaven,
Though pow’rless, guard the world with arms unseen;
Deep peace to them in midst of strife is given,
And all they wish they have, though poor and mean.
Storms beat them, but may not destroy,
Fast rooted in eternal joy;
They walk as in the shade of death,
Yet living on in silent faith.
5
When Christ their Life shall be made manifest,
When He shall come with all His pow’r to rule,
Their glory, hidden long, shall be confessed;
Arise and shine! O bright and beautiful!
With Christ ye shall ascend on high,
Victorious in His victory—
The hidden light shall shine afar,
Each saint an everlasting star.

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Joseph Tan

Quezon Cityt, NCR, Philippines

Sep 25, 2026

i love this hymn so much, most of our hymns are on Christ but this hymn focus turn to us the believers but still with Christ as our center

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Daniel Kim

Denver, CO, United States

Jul 3, 2026

I accidentally ran into this hymn, while looking for a song on the Spirit as the pledge / down payment / guarantee.

In verse 1,
"All fair within those children of the light,
Though dark their brows beneath the desert sun;
Mysterious joys, far hidden from all sight..."

How could we feel this way, "all fair" and joyous? Because God has given to us the down payment (2 Cor. 5:5). I don't know how I can continue as a Christian without the Holy Spirit in such a way!

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Leif Larsen

Rochester, MN, United States

Apr 7, 2020

This hymn came to me first thing this morning. In the midst of all the fear and anxiety of this coronavirus virus oh, I was reminded of this him especially versus four and five. Saints in the light we do make a difference

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Frank Pytel

Chicago, Illinois, United States

Jan 31, 2017

As I considered Song of Songs 1:5, this hymn came to mind. As a loving seeker of Christ, I have a twofold status with many of the experiences described in this hymn. I am “black” but “comely”, as “the tents of Kedar” and “the curtains of Solomon”. My outward appearance is common and mean, having the rough look of an old worn out tent; yet inwardly I am living in union with my Beloved Christ adorned with the fine linen of royalty. “Our outward man is consumed, yet the inward is renewed day by day” (2 Cor. 4:16).

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Todd Balisky

Corona, CA, United States

Sep 27, 2014

This song reminds to enjoy and treasure Christ our life, our hidden treasure. The outward things can be so distracting, even defrauding, but we will not be cheated from Christ our prize by hoping in things other than Him!

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Marjenal

Butu-an City, Philippines

Jan 29, 2007

amen amen amen so much touchable song. Praise the Lord!

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