Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

外面雖被曠野太陽

經歷基督 一般

Chinese440
1
外面雖被曠野太陽曬黑,
光明之子裡面卻都秀美;
奧祕之樂遠非人所能知,
榮耀之王每個都已賞賜;
人心從來未曾想到,
人手也永不能摸著;
聖徒住在神的光中,
得到神的隱藏光榮。
2
在人看來,乃是亞當族類,
帶著屬地形狀,病、苦纏累,
和那墮落罪人完全相像,
外面需要也和他們一樣,
屬地生活所有方式、
睡眠起居也都相似。
這是為使他們藐視
人眼所重虛容美姿。
3
他們裡面卻有神的生命,
主的話語已將他們重生;
他們已被神聖愛火所焚,
成為屬新耶路撒冷的人;
他們都是光中聖徒,
常將甜美詩辭歌賦,
彼此頌揚最高之神,
發出深處最妙之音。
4
他們行在地上,住在天上;
無力,卻能暗中將地執掌;
為難,深處卻有神賜平安;
貧窮,卻有萬有效力成全;
雖被打倒,不至死亡,
心裡作難,不至失望;
好像行在死蔭之中,
卻是活著生命無窮。
5
將來基督-他們生命-顯現,
帶著榮耀前來作王掌權,
他們久藏榮耀也要顯出,
同著基督要被眾目所睹。
哦!光明者,興起發光,
你同基督要升天上,
隱藏之光要照遠方,
每一聖徒都像太陽。

Delete Comment

Delete this comment? This cannot be undone.

Lin

Taipei, Taiwan

Apr 22, 2022

Amen!

Read more
Paul Lin

Taipei, Taiwan

Sep 6, 2020

當我們周圍的光景似乎無望時,我們需要領悟,我們的神絕不會被打敗。凡祂所說的,祂必信實的成就。所以,我們該信聖經所說的一切。此外,我們需要領悟,神是祂子民的分,我們需要仰望並信靠祂。無論祂現在或以後答應我們,我們都需要信靠祂並等候祂。即使祂似乎沒有答應我們的禱告,我們也該繼續禱告並等候祂。至終的結果將是照著祂的定旨,我們也將是蒙祂賜福的人。願我們都學習這功課

Read more
Paul Lin

Taipei., Taiwan

Jun 8, 2020

我們蒙神揀選作祂的子民,爲叫基督居首位,我們乃是在神屬天的掌權之下。…在神屬天的掌權下,萬有都互相効力,叫我們得益處。(羅八28。)在我們個人的宇宙中所發生的事特別是這樣。我們的宇宙包括我們自己、我們的家庭、以及召會。在我們的宇宙中,每一天都發生許多事,目的乃是要使基督居首位。我們需要看見這事,並順服神屬天的掌權。…在但以理四章二十六節,但以理對尼布甲尼撒說,『等你知道諸天掌權,以後你的國必定歸你。』掌權的乃是諸天,不是尼布甲尼撒、古列、亞歷山大大帝,或疾病、風暴、背叛。地是在屬天行政的管治之下。諸天是爲我們掌權,基督也是爲着我們的。不僅如此,我們是在神爲着基督的屬天掌權之下。屬天掌權的目的,是要完成神的選民,使基督得以居首位,就是使祂成爲首先的—中心,並成爲一切—普及。

因着諸天在掌權,所以基督在我們一切的情況中,都與我們同在。我們病了,祂與我們同在;我們在風暴中,祂與我們同在。我能見證,在風暴和背叛當中,我們能享受祂的同在。…我們都需要學知三件事:這個宇宙是在神的行政管理之下;神行政管理的心意,乃是要使基督成爲居首位的,使祂在萬有中居首位;爲着完成神的心意,我們這些神的子民,神的選民,必須與祂有最好的配搭與合作。藉着我們的配搭與合作,神就要完成祂永遠的心意,使基督藉着諸天的掌權,成爲居首位的。

Read more