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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Come, O Thou Traveler unknown

Experience of Christ Fellowship with Him

English560
1
Come, O Thou Traveler unknown,
Whom still I hold but cannot see;
My company before is gone,
And I am left alone with Thee;
With Thee all night I mean to stay,
And wrestle till the break of day.
2
I need not tell Thee who I am,
My sin and misery declare;
Thyself hast called me by my name,
Look on Thy hands, and read it there;
But who, I ask Thee, who art Thou?
Tell me Thy name, and tell me now.
3
In vain Thou strugglest to get free;
I never will unloose my hold;
Art Thou the Man that died for me?
The secret of Thy love unfold;
Wrestling, I will not let Thee go,
Till I Thy name, Thy nature know.
4
Yield to me now, for I am weak,
But confident in self-despair;
Speak to my heart, in blessings speak,
Be conquered by my instant prayer;
Speak, or Thou never hence shalt move,
And tell me if Thy name be Love.
5
’Tis Love! ’tis Love! Thou diedst for me,
I hear Thy whisper in my heart;
The morning breaks, the shadows flee:
Pure, universal Love Thou art;
To me, to all Thy mercies move;
Thy nature and Thy name is Love.
6
Lame as I am, I take the prey;
Hell, earth and sin, with ease o’ercome.
I leap for joy, pursue my way,
And, as a bounding hart, I run,
Through all eternity to prove
Thy nature and Thy name is Love.

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Wes G.

Boise, ID, United States

Nov 23, 2023

I lost my father recently, who was also a partner in business travel, so I sang this hymn (just now) in memory of him and the Lord Christ who still travels with me today. As a member of the "universal priesthood of belivers," I know that we have the blessing of this personal Presence with us at all times, so I pray that I will "walk with Him" in love as He so desires. Thank you, Charles Wesley, for your hymn-writing genius!

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Pauline

London, United Kingdom

Oct 20, 2022

Dear Patricia Morrison

I don't know whether you are still with us. You wrote your comments here 3 years ago and a lot has changed; many have died. One thing I know: if you have left this planet, you are now in glory, and at that, I rejoice! Thank you for sharing your lovely testimonies and your heart here. They have richly blessed me. And yes, what almighty truth is in this almighty hymn. To think the Lord, Himself, revealed it to your mother! How precious she was to Him! (And to yourself and others, no doubt. ) God bless you and Keep you. Ps 27:4, 5 🌹

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Patricia Morrison

Brooklyn, NY, United States

Apr 12, 2019

I sing this hymn in memory of my mother she was a peaceful and forgiving humble soul she got the hymn in vision when she was pregnant she was a prayerful soul whom God love departed this life to the realm of saints today I pray to follow in her footstep. there are saintly people who have taught and done good deeds silently. and went through the flood, through the fire through many adversities and no one know how much these people are living earthly saints, preyed upon slaughtered, abused, verbally and physically and emotionally, lots of us Christian use the heavenly father for convenience CHURCH has become a business with tithes and offering no more healing just broken souls.

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Patricia Morrison

Brooklyn, NY, United States

Apr 12, 2019

this was given to my mother in a vision beautiful hymn come oh thou traveler unknown it raises my emotions and unto God every time I sing or hum this hymn I am taken away to spiritual realms above and my heart cries for our planet that is going through tribulations

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