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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord Jesus, I love Thee, I know Thou art mine

Experience of Christ Love for Him

English544
1
Lord Jesus, I love Thee, I know Thou art mine;
For Thee all the pleasures of sin I resign;
My gracious Redeemer, my Savior art Thou,
If ever I loved Thee, Lord Jesus, ’tis now.
2
I love Thee, because Thou hast first loved me,
And purchased my pardon on Calvary’s tree;
I love Thee for wearing the thorns on Thy brow;
If ever I loved Thee, Lord Jesus, ’tis now.
3
I’ll love Thee in life, I will love Thee in death,
And praise Thee as long as Thou lendest me breath;
And say when the death-dew lies cold on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.
4
In ages eternal of endless delight
I’ll ever adore Thee in glory so bright;
I’ll sing with the glittering crown on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.

The author was 16 when he wrote this hymn.

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Steve Miller

Detroit, MI, United States

Jun 23, 2014

A Protestant Episcopal Bi­shop of Mi­chi­gan once re­lat­ed the fol­low­ing in­ci­dent to a large au­di­ence in one of the Rev. E. P. Ham­mond’s meet­ings in St. Lou­is. “A young, tal­ent­ed and ten­der-heart­ed ac­tress was pass­ing along the street of a large ci­ty. See­ing a pale, sick girl ly­ing up­on a couch just with­in the half-open door of a beau­ti­ful dwell­ing, she en­tered, with the thought that by her vi­va­ci­ty and plea­sant con­ver­sa­tion she might cheer the young in­va­lid. The sick girl was a de­vot­ed Christ­ian, and her words, her pa­tience, her sub­mis­sion and hea­ven-lit coun­te­nance, so dem­on­strat­ed the spir­it of her re­li­gion that the ac­tress was led to give some ear­nest thought to the claims of Christ­i­an­i­ty, and was tho­rough­ly con­vert­ed, and be­came a true fol­low­er of Christ.

She told her fa­ther, the lead­er of the the­a­ter troupe, of her con­ver­sion, and of her de­sire to aban­don the stage, stat­ing that she could not live a con­sis­tent Christ­ian life and fol­low the life of an ac­tress. Her fa­ther was as­ton­ished be­yond mea­sure, and told his daugh­ter that their liv­ing would be lost to them and their bu­si­ness ru­ined, if she per­sist­ed in her re­so­lu­tion. Lov­ing her fa­ther dear­ly, she was shak­en some­what in her pur­pose, and par­tial­ly con­sent­ed to fill the pub­lished en­gage­ment to be met in a few days. She was the star of the troupe, and a gen­er­al fa­vo­rite. Ev­ery prep­a­ra­tion was made for the play in which she was to ap­pear. The ev­en­ing came and the fa­ther re­joiced that he had won back his daugh­ter, and that their liv­ing was not to be lost. The hour ar­rived; a large au­di­ence had as­sem­bled. The cur­tain rose, and the young ac­tress stepped for­ward firm­ly amid the ap­plause of the mul­ti­tude.

But an un­wont­ed light beamed from her beau­ti­ful face. Amid the breath­less si­lence of the au­di­ence, she re­peat­ed:

‘My Jesus, I love Thee, I know Thou art mine;
For Thee all the follies of sin I resign;
My gracious Redeemer, my Saviour art Thou;
If ever I loved Thee, my Jesus, ’tis now.’

This was all. Through Christ she had con­quered and, leav­ing the au­di­ence in tears, she re­tired from the stage, ne­ver to ap­pear up­on it again. Through her in­flu­ence her fa­ther was con­vert­ed, and through their unit­ed evan­gel­is­tic la­bors ma­ny were led to God.” - Sankey's Story of the Gospel Hymns

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Mary Kay Bonfante

Jackson Heights (queens, Nyc), NY, United States

Jan 31, 2014

Thank you, Norma, for sharing this beautiful testimony from your aunt. Although it is heart-wrenching, even chilling to imagine in some ways, what these faithful people endured, it is also awe-inspiring and greatly encouraging to consider their steadfast faith in the God who brought them through it, all the way, to His Kingdom in Glory.

It is also so uplifting to read the comments from brothers and sisters around the globe, in places far and wide. And to think, this hymn was written by a 16-year old believer! Lord Jesus, I love You!

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Saturninopatricio Soares

Dili, East Timor

Sep 6, 2013

Yes.. Jesus is my Rock and my Deliverer

He is only the One who sits in my heart.

I wanted love Him until He come back for twice to pick me up.

Despite I have to through joy and bad and I will never disown Him in my life.

I love Jesus and Jesus is number one in my life.

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Heather Carr-hartley

Kasane, Botswana

Aug 24, 2013

Yes, indeed thank you for sharing this uplifting story with us. My Jesus I love Thee, I KNOW Thou art mine.. what a testimony - and to think we shall meet those who were martyred for their faith in glory. May we too be found faithful, may we too Name the Name of Jesus and stand up for Christ no matter what and through the power of the Holy Spirit may we go in the strength of the Lord.

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Elizabeth Phillips

Spokane, Washington, United States

Aug 3, 2013

Norma C. Fay, thank you for sharing your story. I was deeply touched. What a beautiful witness for Christ these believers were!! Truly, they gloried Christ in death.... and loved Him to their very last breath: "....and say when the death-dew lies cold on my brow, 'If ever I loved Thee, my Jesus 'tis now!". The testimony you shared of their courage (given to them by the Holy Spirit's power in their lives) has encouraged me greatly to stand strong in Christ no matter what comes my way. WHAT A SAVIOUR WE HAVE!!!

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Steve P

Minehead, Somerset, United Kingdom

Oct 23, 2012

Norma, that is an incredible story, wow wow wow.

This was my favourite hymn as a boy in the Assemblies in South Wales UK. I used to sob every time we sang it. We are singing it on Sunday when I preach for the first time in my new church after moving areas. I bet I will shed a tear on Sunday :)

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Ma.jesusa Dubouzet

El Salvador City, Philippines

Jun 26, 2012

Heaven is Christ! If ever I love Him, love Him now. So inspiring yeah, while I am breathing, I must love Him now!

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Norma C. Fay

Colorado Springs, CO, United States

Jun 7, 2012

My just deceased Aunt, Ella Ruth Hutson, who arrived in China in 1948, to begin what would be a 40 year career as a Missionary, tells the following story about this hymn.

Although she was not present at this particular locale, when the Christian Missionaries were expelled from China at the time of the Communist take-over, she was told this story by missionaries who witnessed it.

At one area, where there was a young, but thriving church, the missionaries and the Chinese Christians were rounded up and taken outside the city. The Chinese converts were given the opportunity to recant their Faith. I don't know if any did, but many did not. Those who did not recant were then forced to dig their own mass grave, while the foreign missionaries were forced to watch. Sometime in the labor, a Chinese Believer started singing " My Jesus, I love Thee, I know Thou art mine..." and it was taken up by the whole group of Believers. They sang this hymn over and over, as they completed the digging of their mass grave, and were forced into the pit, with women and children. Then, they continued singing it as the dirt was thrown into the pit to bury them alive. The last sound heard from the mass grave was this hymn being sung with the last breaths of the Chinese Believers who saw their Jesus that day.

My aunt went on to serve the remainder of her career in the island of Taiwan, sharing the Gospel of Christ, and extending the Kingdom of God. She retired in 1991, from 40 years of service to her Lord. She went Home to be with Him Last Sunday, June 3rd, 2012.

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Karen Denise

Atlanta, Georgia, United States

Mar 9, 2012

I love hymns from my childhood. It tells the basics of my faith.

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Wm

BK, CA, United States

Mar 1, 2012

John 3:16 For God so Love us so much that He gave the best out of Himself, Lord Jesus, that we may live forever and never be lost. Praise Him now and Forever. Amen.

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