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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord Jesus, I love Thee, I know Thou art mine

Experience of Christ Love for Him

English544
1
Lord Jesus, I love Thee, I know Thou art mine;
For Thee all the pleasures of sin I resign;
My gracious Redeemer, my Savior art Thou,
If ever I loved Thee, Lord Jesus, ’tis now.
2
I love Thee, because Thou hast first loved me,
And purchased my pardon on Calvary’s tree;
I love Thee for wearing the thorns on Thy brow;
If ever I loved Thee, Lord Jesus, ’tis now.
3
I’ll love Thee in life, I will love Thee in death,
And praise Thee as long as Thou lendest me breath;
And say when the death-dew lies cold on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.
4
In ages eternal of endless delight
I’ll ever adore Thee in glory so bright;
I’ll sing with the glittering crown on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.

The author was 16 when he wrote this hymn.

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George Ziddah

Accra, Abeka Lapaz, Ghana

Sep 30, 2016

A soul healing love affirmation song that says in spite of what I'm in, going through or ahead of me, my hope, my trust and all I invest in You ALONE JESUS CHRIST. I trust FULLY IN YOU to come through for me. AMEN.

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Gloria

Abuja, Nigeria

Jul 11, 2016

I woke up with this hymn playing in my mind. Had to search for the full lyrics. This is my prayer Lord! Thank God for such a hymn of consecration.

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Judi Keller

Spfld, IL, United States

Apr 19, 2016

I love this hymn. The Lord laid it on my heart this morning and I had to listen to it. There is nothing that can compare to these old hymns. I learned these growing up and they are really ministering to my heart now. I am so thankful for my heritage. These are ringing in my heart today. Keep them coming. God Bless you richly. Thankful for these powerful words that speak volumes into my life and countless others. Thank You Jesus

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Glory Toyin

Gboko, Benue, Nigeria

Apr 15, 2016

Nothing like, "I loved Him," loving Him is NOW!

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Eileen Vincent

San Antonio, TX, United States

Sep 30, 2015

I woke this morning singing this and had to find all the words. The sweet simplicity of tune and words drew me deeply into His wonderful presence. Praise You Lord Jesus!

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Diana

Chatsworth, California, United States

Apr 18, 2015

Oh the sweet presence of Jesus! What a King, what a Friend, what a Redeemer!

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Jo Williams

Jan 29, 2015

The closer I get to Him the more precious this song - music and words - are to me.

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Anne Ogutu

Irving, TX, United States

Dec 9, 2014

It is my prayer that when Jesus comes back to take us with Him. William Ralf Featherstone will hear the trumpet sound from his grave where he is sleeping and behold the face of Jesus. The one he truly loved. This hymn is a blessing to me!!!!!

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Mary

TX, United States

Jul 2, 2014

Thank you for posting this sweet hymn I learned as a child. I awoke this morning, away from home, and wanted to hear it, and enjoyed it so much. I do lovee Thee Lord Jesus!

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Steve Miller

Detroit, MI, United States

Jun 23, 2014

William Featherston(e) was born in Montreal, Canada, the son of Wesleyan Methodist parents. It is believed that he wrote this hymn in 1862 at the age of 16 right after his conversion. Information on William Featherstone is scarce. Apparently he sent this hymn to his aunt in Los Angeles, who encouraged him to have it published. Mysteriously, it appeared anonymously in "The London Hymnbook", published in 1864. It is reported that the original poem in the boyish handwriting is still cherished by the family. Featherstone died at the early age of 27. The simplicity of loving the Lord in youth is demonstrated in this hymn. - Songs of the Spirit by Martin

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The original says "My Jesus" instead of "Lord Jesus" throughout.

In the 1st stanza the original said "follies" instead of "pleasures".

The last stanza, 1st 2 lines says:

In mansions of glory and endless delight,

I'll ever adore Thee in heaven so bright;

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