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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord Jesus, I love Thee, I know Thou art mine

Experience of Christ Love for Him

English544
1
Lord Jesus, I love Thee, I know Thou art mine;
For Thee all the pleasures of sin I resign;
My gracious Redeemer, my Savior art Thou,
If ever I loved Thee, Lord Jesus, ’tis now.
2
I love Thee, because Thou hast first loved me,
And purchased my pardon on Calvary’s tree;
I love Thee for wearing the thorns on Thy brow;
If ever I loved Thee, Lord Jesus, ’tis now.
3
I’ll love Thee in life, I will love Thee in death,
And praise Thee as long as Thou lendest me breath;
And say when the death-dew lies cold on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.
4
In ages eternal of endless delight
I’ll ever adore Thee in glory so bright;
I’ll sing with the glittering crown on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.

The author was 16 when he wrote this hymn.

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Yvonne

London, United Kingdom

Feb 10, 2019

I was feeling a bit low, so I thought I would have a little nap. This song came to my mind, so I looked up the words. After reading the words, I was re-energised, my soul was revived. When I think of what Jesus has done for me, I cannot help but to totally abandon myself in His love. As in verse 3 : “ And praise Thee as long as Thou lendeth me breath” Hallelujah

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Gehleigbe Bobson Bleh

Haifa, Carmel, Israel

Jan 12, 2019

I am preaching at Haifa Baptist Church and I have chosen this hymn as my sermon. My sermon is about the Greatest Love demonstrated by our Lord Jesus Christ. Jesus commanded us to love others just as He has loved us. The basis of His final judgment will be on how we demonstrated that too in the hurting world. Not our education, wealth and advancement made in the world, but how to respond to the needs of the least of His: the poor, orphans, refugees, hungry people in and around us. By doing these, we prove that we love the Lord Jesus.

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Bukenya Moses

Kampala, Uganda

Jan 1, 2019

Carrier of the old wonderful memories. If ever I loved Thee, my Jesus tis Now.

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Lucia

Long Beach, CA, United States

Nov 14, 2018

We only have “now” to love our Lord Jesus. We can’t delay coming to Him and giving ourselves to Him. “If ever I love the Lord Jesus tis now”.

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Frank Alcamo

Oceanside, NY, United States

Sep 29, 2018

If ever I loved Thee, my Jesus it's now.

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Becky

Middleburg, Florida, United States

Aug 30, 2018

I was listening to hymns with my mom who was on her death bed with cancer and advanced Alzheimers. She could no longer speak. When this song came on, I started to sing with the second to the last verse. Then I got choked up. She turned her face to me, looked into my eyes and started mouthing the words. She breathed her last breath at the end of the song. Praise God she is home with Jesus. I will never forget this beautiful song.

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Zet

BC, Canada

Aug 4, 2018

One of the most beautiful hymns!! Lord Jesus, we can't wait for you to come back for us Your People!

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Eddie

Surrey, BC, Canada

Jul 22, 2018

Amen!

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Elly

Charlotte, NC, United States

Jul 18, 2018

As a new Christian in the 1970s we sang this wonderful hymn in our church.

It’s precious and true.
Only recently I heard it again adapted and re-arranged.
Just glad it’s being sung again.

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Nelly Muyinda

Kitwe, Coperbelt, Zambia

Jun 29, 2018

I will never be able to thank my Jesus Christ enough for what He did for me not only on the cross, but for election in eternity past, according to Romans 8:28-30. I just want to submit myself to Him completely, worship and serve Him until I die.

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