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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Lord Jesus, I love Thee, I know Thou art mine

Experience of Christ Love for Him

English544
1
Lord Jesus, I love Thee, I know Thou art mine;
For Thee all the pleasures of sin I resign;
My gracious Redeemer, my Savior art Thou,
If ever I loved Thee, Lord Jesus, ’tis now.
2
I love Thee, because Thou hast first loved me,
And purchased my pardon on Calvary’s tree;
I love Thee for wearing the thorns on Thy brow;
If ever I loved Thee, Lord Jesus, ’tis now.
3
I’ll love Thee in life, I will love Thee in death,
And praise Thee as long as Thou lendest me breath;
And say when the death-dew lies cold on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.
4
In ages eternal of endless delight
I’ll ever adore Thee in glory so bright;
I’ll sing with the glittering crown on my brow,
If ever I loved Thee, Lord Jesus, ’tis now.

The author was 16 when he wrote this hymn.

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Ana Lara

Storrs, Connecticut, United States

Aug 1, 2023

“Lord Jesus, I Love Thee” is a wonderful expression of love for Jesus that comes out of the author’s experience of the Savior’s love for him. It was written as a devotional poem by William Ralph Featherston, a teenager who had recently given his life to Jesus.

Not much is known about Featherston except that he attended a Methodist church in Montreal, and that he wrote this poem at a young age of 16, and that he died at 27 years of age.

One story about how the poem became public is that Featherston mailed it to his aunt in Los Angeles, who then looked for a way to have it published.

It wasn’t until William’s death that Adoniram Judson Gordon, (founder of Gordon College and Gordon-Conwell Theological Seminary), added a melody, and published it in his book of hymns. The poem declares our union with Christ, our assurance of salvation, the gospel, the joy in His love, and the ability to praise God in all of our circumstances. Eventually, it ended up in a book called, “The London Hymnbook, ”as an anonymous hymn in 1864, giving it a wider audience among the Christian community.

One story is told of an actress who stopped to see a sick girl, hoping to cheer her up. But the girl was a devout Christian, and suggested that the actress seriously consider salvation in Christ. The actress soon became a Christian. She had to tell her father who was also her business manager that she wanted to abandon her career since she could not be an actress and a follower of Christ. Her father, horrified, pleaded with her that such a decision would be the ruin of their entire business. The actress, being that she was the main star of the theater production, began to prepare for her next performance. The evening came, and her father was relieved to see that she had had a change of heart, and therefore would not plunge them into financial ruin. When the curtain raised, she stepped forward to the applause and music of a huge crowd. But instead of saying her beginning lines, she began to sing “Lord Jesus, I Love Thee. ” At the end of the song, her father gave his life to Christ and many others among the crowd, came to salvation through the singing and her testimony.

(Lewis-Els Codington)

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Wow

Shoreline, WA, United States

Jun 18, 2023

Praise the Lord for purchasing us! We have been bought with a price!

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Akintunde Olukunle Kayode

Abeokuta, Ogun, Nigeria

Jun 18, 2023

Lord I love you, help me to love you more and more.

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Jim Smith

Mansfield, Ohio, United States

Jun 4, 2023

This song came to me this morning. It really confirmed my love for Him. I pray for many more days here on earth, but I know I must love him today. The brother that wrote this him died at age 27. They believe he wrote this when he was about 16. Surely the Lord perfected some love in him. We never know how long we will live on this e, we must love him today

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Florence Ifeyinwa Ilaya

Lagos, Nigeria

May 30, 2023

I woke up this morning my Lord overwhelmed by your love expressed in this Song for me. You loved me to death, who am I? I will ever love you my Jesus. Help me Holy Spirit.

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Cynthia McKee

Lakewood, CA, United States

May 19, 2023

I love this Hymn! Thank you Lord Jesus for loving me!

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Christina Zhou

Gilroy, California, United States

Feb 26, 2023

I love thee, Lord Jesus, it is now

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Nwachukwu Felicia

Ogba, Lagos, Nigeria

Feb 13, 2023

You wore a crown of thorn on your brow to give me the glittering crown, what a wonder. I 💕 you

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Evangelist Ekpenyong

Warri, Delta State, Nigeria

Dec 2, 2022

God give me Grace to love you more and more. To be in your arms always. I love this song

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August Lantveld

Houttuin, Wanica, Suriname

Oct 18, 2022

Dear Jesus nothing can separate 🙏🏿 us!!! This eternal love!!!

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