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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The Lord’s my Shepherd, I’ll not want

Experience of Christ As Everything

English527
1
The Lord’s my Shepherd, I’ll not want;
He makes me down to lie
In pastures green; He leadeth me
The quiet waters by.
2
My soul He doth restore again,
And me to walk doth make
Within the paths of righteousness,
E’en for His own name’s sake.
3
Yea, though I walk in death’s dark vale,
Yet will I fear no ill;
For Thou art with me, and Thy rod
And staff me comfort still.
4
My table Thou hast furnished
In presence of my foes;
My head Thou dost with oil anoint,
And my cup overflows.
5
Goodness and mercy all my life
Shall surely follow me,
And in God’s house forevermore
My dwelling-place shall be.

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Steve Miller

Detroit, MI, United States

Jan 5, 2014

Scottish Bibles in the 17th century often had psalms in meter printed after the book of Revelation. The metrical psalms were sung twice a day in most of the humble cottages of Scotland and so became more familiar to the people than the Bible text itself.

This text of the familiar 23rd Psalm comes from a metrical version by Francis Rous, a member of the British Parliament. He was dissatisfied with the accuracy of other psalm translations being used by the Puritans, some of which took liberties with the meaning to make the words rhyme. As you can see, this version is a faithful paraphrase of David's original. Rous's Psalter was widely used and was authorized by the Westminster Assembly, which also created the Westminster Confession of Faith. - Great Songs of Faith by Brown & Norton

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Marie Bell

Miramar, Florida, United States

Dec 29, 2013

These songs will never grow old. It touches me every time I read and hear it.

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Eileen Mitchell

Glasgow, United Kingdom

Dec 22, 2013

He is indeed and so glad I could see the lyrics, and hear the tune. So blessed tonight. Christmas is truly a time for miracles. The words say it all. Thank you for this. A happy and Holy Christmas to all.

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Amosdametey

Accra, Greater Accra, Ghana

Oct 11, 2013

Wonderful hymn. Surely the Goodness of the Lord our God is with us.

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Hasmukh

Surat, Gujarat, India

Jul 3, 2013

Yes, praise the LORD! Really comforting.

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Rae Warfel

Wexford, PA, United States

Sep 8, 2012

Our family is going through some very difficult times right now. This hymn is very precious. How happy I was to hear the music with it.

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Sue Garrison

Glencoe, Ontario, Canada

Nov 20, 2011

When I need guidence and ask my Shepherd He guides me to safety and the still quiet waters. I thank Him for being the peace Giver and the Provider of all I need for body, soul and spirit. I am happy to be His sheep.

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Paulette

Kingstown, Saint Vincent And The Grenadines

Oct 11, 2011

Beautiful song. We are having 'Night of Psalms' at church tonight and this is one I'll definitely be doing. It's the very first song from the Psalms I learned at primary school in Jamaica almost half a century ago and it's impact is even more powerful today than it was then!

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Leanne, Pat, Domonique And Mama Chinnie

Kingston, Jamaica

Oct 6, 2011

My prayer group and I were inspired to used this hymn as the theme song for a 40 days of prayer (Oct 3-Nov 11, 2011). It is a lovely prayer (see Psalm 23) done in song and we truly appreciate it!

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Efua Otuwaa Goode

Accra, Ghana

Aug 25, 2011

As I was meditating on this hymn, the Spirit assures me of

God's love, mercy. goodness, faithfulness, guidance, greatness, provision, kindness, protection, etc. Father, I thank You for knowing You - Amen. Please Father, touch the hearts of all who do not know You yet with this hymn, Amen! Jehovah-raah- The Lord My Shepherd.

And those who know Thy name will put their trust in Thee; for Thou, O Lord, hast not forsaken those who seek Thee. Psalm 9:10

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