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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Though Christ a thousand times

Union with Christ One with Him

English477
1
Though Christ a thousand times
In Bethlehem be born,
If He’s not born in thee
Thy soul is still forlorn.
The Cross on Golgotha,
Will never save thy soul;
The Cross in thine own heart,
Alone can make thee whole.
 
O, Cross of Christ, I take thee
Into this heart of mine,
That I to my own self may die
And rise to thy life Divine.
2
What e’er thou lovest, man,
That too become thou must;
God, if thou lovest God,
Dust, if thou lovest dust.
Go out, God will come in;
Die thou and let Him live;
Be not and He will be;
Wait and He’ll all things give.
3
To bring thee to thy God,
Love takes the shortest route;
The way which knowledge leads,
Is but a roundabout.
Drive out from thee the world,
And then thy heart shall be
Filled with the love of God,
And holy like as He.

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Yohan Yosef

City Of Malolos, Bulacan, Philippines

Mar 7, 2018

Stanza 2
God, if thou lovest God.
Dust, if thou lovest dust.

Lord Jesus, keep me in the realm and atmosphere of loving You. Losing my first love is the beginning of all degradation. Lord Jesus, I love You.

Oh Lord, You alone deserves my first and best love.

Save and keep my heart from the one who eats dust. I do not want to be a food for the enemy. I am wholly for You.

Lord Jesus I love You.

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Juan Viana

Anaheim, California, United States

Dec 23, 2015

Just learned in the current semiannual training the this hymn was written in the third century AD. Probably the oldest hymn in our hymnal. The second stanza reveals the crucial fact that if we want to become God we need to be those who continually tell Him, "Lord Jesus, I love You". Love is the shortest way to God!

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Efren M.

Sydney

Jul 7, 2014

I just keep learning this hymn today, thru the guitar chords and MIDI tunes in this hymnal portal...as I learned the tune, then I was carried on to my spirit thru its rich wordings...Oh my Lord Jesus Christ...we wounded Him, yet we as the sand particles was kept in His wound (in His death), then, He begins to secrete his life-juices, and made us pearls, as very precious materials to His building works, and we further enter the New Jerusalem! Hallelujah, we must remain in His death, so the resurrection life-juice, can engulf us to become pearls as the gates to the entrance of many peoples for His kingdom!

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Victor Enujiugha

Akure, Ondo State, Nigeria

Jun 15, 2013

It is time to drive away self and the world from our hearts that the Lord may take His place. I die that He might live in me.

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Helen Breen

Nottingham, United Kingdom

May 17, 2012

Amen, be not and He will be.

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Will Miller

Portland, OR, USA

Feb 9, 2008

"In our hymnal several hymns are concerned...with the aspect of the co-death of the cross. ...The hymn (without the chorus) was written in the third century.... It is a hymn of the inner life and was translated into Chinese by Brother Nee." page 60, The Governing and Controlling Vision of the Bible.

Thank You, Lord, for the recovery of this truth that we are crucified with Christ.

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Primo V. Jarmin II

Los Baños, Laguna, Philippines

Apr 6, 2003

Amen. Praise the Lord! I like this hymn because the lyrics is very rich and it exposes me. The lines "You become God if you love God. Dust if you love dust". This hymn reminds me of what I love.

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