Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Down in the valley with my Savior I would go

Consecration Following the Lord

English461
1
Down in the valley with my Savior I would go,
Where the flowers are blooming and the sweet waters flow;
Everywhere He leads me I would follow, follow on,
Walking in His footsteps till the crown be won.
 
Follow! follow! I would follow Jesus!
Anywhere, everywhere, I would follow on!
Follow! follow! I would follow Jesus!
Everywhere He leads me I would follow on!
2
Down in the valley with my Savior I would go,
Where the storms are sweeping and the dark waters flow;
With His hand to lead me I will never, never fear,
Dangers cannot fright me if my Lord is near.
3
Down in the valley, or upon the mountain steep,
Close beside my Savior would my heart ever keep;
He will lead me safely in the path that He has trod,
Up to where they gather in the rest of God.

Delete Comment

Delete this comment? This cannot be undone.

Martha Ann Kremer

Toronto, Ontario, Canada

Aug 18, 2017

From my Sunday School Days in the German Evangelical and Reformed Church in St. Louis. The words are slightly different, but the idea is the same.

Read more
Carver Pop

Manzini, Swaziland

Apr 2, 2017

Down in the valley. YES I WAS DOWN TO NOTHING. But GOD WAS UP TO SOMETHING. Yes He was my provider. He is my provider and will be my Provider.

Sen. Pastor Jabez Christain Ministries

Read more
Stanley Amanfu

Enugu, Nigeria

Mar 16, 2017

So so nourishing to my soul, thanks for having the piano version!!

Read more
Tom Edegbe Abbe

Benin, Edo State, Nigeria

Feb 27, 2017

I just want to thank God for blessing and inspiring whoever wrote the hymn and the keyboardist, any time I hear this hymn it brings me back to my senses that I need God more in my life so I have to flee from my sinful lifestyle, may HE see us through, amen.

Read more
Adolf Ajéwoda Déakpéna Mawu

Abuja, FCT, Nigeria

Jul 20, 2016

I feel 99% relieved or challenge free when singing or hearing this song. Beautiful song.

Read more
Glen Turner

Mansfield, Massachusetts, United States

May 2, 2016

I listen to this song all the time. It makes me get through the day.

Read more
Malachy Ugwu

Nsukka, Enugu, Nigeria

Mar 21, 2016

This song so touched me long before I understood the lyrics. it had formed my mobile ringing tone for quite some time now. It brings me home to my true state despite any situation. I share this song also as a gift to friends...

Read more
Chinwendu Uruakpa

Lagos, Nigeria

Sep 8, 2014

This hymn is inspirational and motivational. It helps one to look up to God and reminds every Christian about our obligation to follow Christ, no matter what ever circumstances. JESUS IS LORD!

Read more
Steve Miller

Detroit, MI, United States

Jul 16, 2014

“I wrote this hymn in 1878,” the Rev. W. O. Cush­ing tells me. “Long­ing to give up all for Christ who had giv­en his life for me, I want­ed to be will­ing to lay ev­er­ything at his feet, with no wish but to do his will, to live hence­forth on­ly for his glo­ry. Out of this feel­ing came the hymn, ‘Fol­low On.’ It was writ­ten with the pray­er and the hope that some heart might by it be led to give up all for Christ. Much of the pow­er and use­ful­ness of the hymn, how­ev­er, are due to Mr. Low­ry, who put it in­to song.” - Sankey's Story of the Gospel Hymns

-------------

Cushing was known as a noble, sweet, spiritual Christian gentleman to those who knew him. Those who met him were inspired by him and loved him. - Songs of the Spirit by Martin

--------------

In the original stanza 3, "heart" is "soul" and "in the rest of God" is "on the hills of God."

------------------

These are the ones who follow the Lamb wherever He goes. (Rev 14:4 NKJ)

Read more
Machez Enendu

Stavanger, Rogaland, Norway

Mar 23, 2014

This song shows that as long as God is leading you in any situation (remember Joseph in Egypt), God will always protect you. We should always walk with Him, obey and remove fear of anything.

Read more