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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Down in the valley with my Savior I would go

Consecration Following the Lord

English461
1
Down in the valley with my Savior I would go,
Where the flowers are blooming and the sweet waters flow;
Everywhere He leads me I would follow, follow on,
Walking in His footsteps till the crown be won.
 
Follow! follow! I would follow Jesus!
Anywhere, everywhere, I would follow on!
Follow! follow! I would follow Jesus!
Everywhere He leads me I would follow on!
2
Down in the valley with my Savior I would go,
Where the storms are sweeping and the dark waters flow;
With His hand to lead me I will never, never fear,
Dangers cannot fright me if my Lord is near.
3
Down in the valley, or upon the mountain steep,
Close beside my Savior would my heart ever keep;
He will lead me safely in the path that He has trod,
Up to where they gather in the rest of God.

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Molly Ondiwa

Nairobi, NA, Kenya

Apr 5, 2020

This song really lifts my spirit. I feel the peace of God within me. It reminds me how I will never walk alone especially in this troubled world. My sorrows melt away and calmness takes over. I feel like it is well with my heart.

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Anonymous

Mar 15, 2020

That song is as old as my gran who is going to be 101 years old in June

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Thomas Kilpatrick

Hohenwald, TN, United States

May 26, 2019

It is one of those songs I have not heard or sung in a long while. Been on my mind all week this week. I believe in Christian Hymns # 2. Great song.

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Shirley Hart

Richmond, Virginia, United States

Oct 22, 2018

I have had this song on my mind for some time. I could only remember most of the first verse. My Dad was a song leader at the Church of Christ in Richmond, Virginia (1960's). When l am still and close my eyes, l can still hear the Church singing that song!

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Robert

Jamaica

Aug 16, 2018

This hymn brings back sweet memories of growing up with my grandfather. We had worship every morning at six o'clock and this was one of the many hymns we sang in those days. O how I long to meet him in the kingdom of God.

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Uzoma Mgbeokwere

Lagos, Nigeria

Jul 7, 2018

Very inspiring and soul uplifting. Always resort to it especially to encourage people.

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Dumale Godspower

Port Harcourt, Rivers State, Nigeria

Jun 22, 2018

Yeah, even in the valley, nothing will stop me from following master Jesus. Glory be to God forever amen.

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Judith

Sydney, NSW, Australia

Mar 4, 2018

Truly an amazing hymn with such a beautiful melody too.

May Jesus be glorified forevermore!!

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Pius N. Nwachukwu

Port Harcourt, Rivers, Nigeria

Sep 3, 2017

A nice melody that reminds me of my duty here and hereafter.

May the name of God be praised.

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Obioma Osuji

Toronto, Ontario, Canada

Aug 22, 2017

Nice melody, inspiring words good for relaxation.

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