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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Abba, Father! we adore Thee

Worship of the Father His Redemption

English45
1
Abba, Father! we adore Thee,
Humbly now our homage pay;
’Tis Thy children’s bliss to know Thee,
None but children “Abba” say.
This high honor we inherit,
Thy free gift through Jesus’ blood;
God the Spirit, with our spirit,
Witnesseth we’re sons of God.
2
Thine own purpose gave us being,
When in Christ, in that vast plan,
Thou in Christ didst choose Thy people
E’en before the world began.
Oh, what love Thou, Father, bore us!
Oh, how precious in Thy sight!
When to Thine own Son Thou gav’st us,
To Thy Son, Thy soul’s delight.
3
Though our nature’s fall in Adam
Shut us wholly out from God,
Thine eternal counsel brought us
Nearer still, through Jesus’ blood;
For in Him we found redemption,
Grace and glory in Thy Son;
O the height and depth of mercy!
Christ and His redeemed are one.
4
Hence, through all the changing seasons,
Trouble, sickness, sorrow, woe,
Nothing changeth Thine affections,
Love divine shall bring us through;
Soon shall all Thy blood-bought children
Round the throne their anthems raise,
And, in songs of rich salvation,
Shout to Thine eternal praise.

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Eric Zhang

San Diego, CA, United States

Oct 19, 2025

Lord Jesus, you’re my father!

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Maria L

Fremont, California, United States

Aug 4, 2025

Abba Father we adore you! We thank you for your unsearchable wisdom of Your plan, crafted before time began. Though sin separated us from You, You did not abandon us. Instead, in boundless love, You drew us nearer still not by our merit, but through Jesus’ blood. Oh, what a costly, glorious redemption! Hallelujah 😀

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Joy Marie

Jul 25, 2025

Been singing this hymn over 6 decades, by the Grace of our Lord Jesus Christ! Thank you for preserving it for us! Such a Blessing to know Abba Father Daddy God through Jesus! Praying many more be saved and refreshed by Him! MARANATHA!!! 😊🙏🙌✝️❤️🎼🎹 1COR. 15:58

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Andrea V.

Charlotte, NC, United States

Sep 13, 2022

Hence, through all the changing seasons,
Trouble, sickness, sorrow, woe,
Nothing changeth Thine affections,
Love divine shall bring us through!!!

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Stephen Bellingham

Irvine, CA, United States

Aug 31, 2021

Wonderful! Abba Father we adore Thee!

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Anonymous

United States

Jul 11, 2021

阿爸,我們來頌讚你!
我們謙卑敬拜你!
我們現今得認識你,
真是我們的福氣。

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Yuri Reyes

Anaheim, California, United States

Jan 17, 2020

Love divine will bring us through!

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Andrew Smelser

Oklahoma City, OK, United States

Jan 6, 2020

It is the best song

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Ana Lara

Storrs, Connecticut, United States

Oct 26, 2019

Dr Robert Hawker was born at Exeter, England, in 1753. He had been originally educated for the medical profession, but in 1778 became a minister in the Church of Charles the Martyr at Plymouth. He was there until he went to be with the Lord April 6, 1827, at the age of 74.

Dr. Hawker was well known as a controversial and theological writer, but his name is associated with hymns, especially “Lord dismiss us with Thy blessing" and other hymns. His verses have a precious way to bring us before the Lord Jesus and the Father which this particular hymn does do well. He also published a collection of Sunday School hymns.

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Anonymous

Huntsville, Texas, United States

Oct 20, 2019

Father resurrection, life, light

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