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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My faith looks up to Thee

Longings For Grace

English429
1
My faith looks up to Thee,
Thou Lamb of Calvary,
Savior Divine;
Now hear me while I pray;
Take all my guilt away;
Oh, let me from this day
Be wholly Thine.
2
May Thy rich grace impart
Strength to my fainting heart,
My zeal inspire;
As Thou hast died for me,
Oh, may my love to Thee
Pure, warm, and changeless be,
A living fire.
3
While life’s dark maze I tread,
And griefs around me spread,
Be Thou my Guide;
Bid darkness turn to day,
Wipe sorrow’s tears away,
Nor let me ever stray
From Thee aside.
4
All thru life’s transient dream,
Until death’s sullen stream
Shall o’er me roll,
Blest Savior, with Thy love,
Fear and distrust remove;
Make me Thy grace to prove
Transform my soul.

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Martin

Boltimore, Maryland, United States

Dec 12, 2017

At the moment when my spiritual strength was low and I was some sort of struggling to measure up and transient to that glorious height I really needed to be. I came across this hymn as the title came into my consciousness. l found it as the right tonic in that faithful morning. I have done this hymn over and over from elementary school but the experience that morning was different, refreshing, inspiring and much awakening to the meaning and l am back on my spiritual track faithfully journeying on.

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Steve Miller

Detroit, Michigan, United States

Dec 2, 2017

A lonely 22 year old school teacher who had experienced a discouraging year of illness and other difficulties lifted up his eyes one evening in desperation to God and was led to write the thoughtful words of this beloved hymn, which is one of our finest hymns on the subject of personal faith.

When just 13 years of age, Palmer was forced to drop out of school and take a job as a clerk in a dry-goods store in Boston. He began attending historic Park Street Congregational Church and there professed Christ as his Savior. Soon he felt the call of God to become a minister of the gospel. He resumed his education at Andover Academy and later was graduated from Yale University.

While at Yale, Ray Palmer took a part-time teaching position in a private girls' school in New York City. It was a difficult job that eventually affected his health and brought him to a state of depression.

One night while reading a German poem picturing a needy sinner kneeling before the cross, Ray Palmer was so moved that he translated the lines into English. Immediately his mind was filled with the thoughts of "My Faith Looks Up to Thee".

"The Words for these stanzas were born out of my own soul with very little effort. I recall that I wrote the verses with tender emotion. There was not the slightest thought of writing for another eye, least of all writing a hymn for Christian worship. It is well remembered that while writing the last line, 'Oh, bear me safe above, a ransomed soul,' the thought of the whole work of redemption and salvation was involved in those words, suggesting the theme of eternal praises, and this brought me to a degree of emotion that caused abundant tears."

Palmer copied his verses into a small notebook and thought no more of them except to read them occasionally for his own devotions. Two years later, while walking down a busy street in Boston, he chanced to meet his friend, Dr. Lowell Mason, who was well-known in 19th century musical circles. Mason was compiling a new hymnal and asked if by any chance Palmer might have some lines that would lend themselves to a new hymn.

"I showed him the verses in my little notebook. We stepped into a store together, and a copy of the poem was made and given to him. Without much notice, Mason put it into his pocket. Several days later, however, when we met again in the street, he scarcely waited to greet me:"

"Mr. Palmer, you may live many years and do many good things, but I think you will be best known to posterity as the author of 'My Faith Looks Up to Thee.'"

Dr. Lowell Mason's prediction about Palmer and his hymn certainly came true. Ray Palmer did accomplish much for God until his death at the age of 79. He became recognized as an outstanding evangelical minister and pastored 2 large Congregational churches in the east for 39 years.

Palmer was the author of several popular volumes of religious verse and devotional essays. He also wrote 37 other fine hymns, for which he would never accept payment.

Yet Dr. Palmer is best remembered today for his very first hymn text, a statement of personal faith in Christ written when he was just 22 yeas of age. - '52 Hymn Stories Dramatized' by Kenneth W. Osbeck

----------------
The original title of this hymn was 'Self Consecration'
The final stanza originally says:
4 When ends life's transient dream,
when death’s cold, sullen stream
shall o'er me roll,
blest Savior, then in love,
fear and distrust remove;
O bear me safe above,
a ransomed soul.

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Joshua Gideon

Jos Nigeria, Plateau State, Nigeria

Oct 26, 2017

This song inspired me when I wrote my professional mbbs exam and I failed a course out of three. I have to re-sit for it. With my little knowledge I failed. Because of fear and griefs around me, I meditate on this song and I look forward to pass my re-sit exam. God help, I pass successfully. Praise God. My faith looks up to Thee, Thou Lamb of Calvary.

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Derick Dodeiobase

Ogba, Lagos, Nigeria

Oct 19, 2017

The right hymn for REVIVAL.

Especially if already backslidden.

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Rose Chisekana

Nairobi, Kenya

Oct 10, 2017

This hymn is medicinal. Today at the Organizational prayers I sang and cried and cried. I was very low amidst challenges and office politics. I googled, found my answer esp in v.3

While life’s dark maze I tread,
And griefs around me spread,
Be Thou my Guide;
Bid darkness turn to day,
Wipe sorrow’s tears away,
Nor let me ever stray
From Thee aside

When griefs spread, we can only trust God to guide us, he can turn darkness into day, may we always abide in him. That is my prayer.

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Bolgtom

Akute, Ogun, Nigeria

Oct 4, 2017

Thanks for this hymn. I pray God help me and remould me for His purpose for my life.

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Lori Pritchard

Chicago, IL, United States

Sep 25, 2017

Seeking fellowship with the Lord this morning, I googled this hymn to sing along. And what is here? A fellowship with you who have done the same thing. Praying for each of you by name, and delighting in His ever Presence.

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Elizabeth

Benin City, Edo, Nigeria

Aug 30, 2017

With my soul so weary and straying far from God, I remembered this song that was usually sung on assembly ground while I was in secondary school in the 90s. Stanza 2 of the song particularly infused strength to my fainting heart. Thank You Jesus.

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David Momoh Kamara

Freetown, Sierra Leone

Aug 30, 2017

´"My faith looks up to Thee." Indeed, after an embarrassing departmental meeting today, I was upset with my staff hence, I was furious and annoyed.

Then, this hymn came to my mind. It automatically turned my temper to calmness. I was even making fun of the situation.

I am blessed.

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Ayuketah

Yaounde, Center, Cameroon

Jul 1, 2017

Just realised today morning that after praying and thanking God for various victories for me and family, adversities notwithstanding, this song came to mind. So I googled and got it and sang it through. Wordings very enriching and inspiring. Hail the author.

Thank God for His Grace.

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