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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We bow and worship, Father, here

Worship of the Father His Intent

English32
1
We bow and worship, Father, here
And marvel at Thy wondrous love.
O what is man that Thou shouldst deign
To him such boundless grace to prove!
2
We praise Thee for Thy heart’s intent
That man Thy likeness should possess,
That with Thy life and nature filled
Thine image he should manifest.
3
Man in Thine image Thou didst make,
To him authority didst give;
Thyself presenting as his life,
That by Thy riches he might live.
4
To enter man Thou dost desire,
With him to mingle thru Thy grace,
That man may be transformed and built
To be Thy worthy dwelling place.
5
Tho’ man did fall, Thou didst not leave
Thy heart’s intent, but Thou didst move;
Redeeming man to bring him back,
Thou didst Thy love and wisdom prove.
6
In Christ Thou didst Thyself reveal,
Who died and rose, redemption wrought;
In Spirit Thou hast entered man
And to him life and grace hast brought.
7
My spirit is Thy holiest place,
Thy throne of grace is founded there;
Thou wouldst that we in spirit come
To burn the incense thru our prayer.
8
Such grace is like a river full
Which from the throne of grace doth come;
It floweth thru, transforming us,
And builds us up to be Thy home.
9
Receiving of Thy matchless grace,
We marvel at Thy gift so free;
With grateful hearts for Thy great love,
In spirit now we worship Thee.

Copyright Living Stream Ministry. Used by permission.

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Rebecca Suzanne Wilging

Riverside, CA, United States

Mar 29, 2026

Such GRACE is like a river FULL
Which FROM the THRONE of grace doth COME;
It FLOWETH thru, TRANSFORMING us,
And BUILDS us up to be THY home.

Read more
Paul

London

Mar 8, 2026

My spirit is thy holiest place
Thy throne of grace is founded there
Marvelous

Read more
Un Hermano

Jun 2, 2025

WORSHIPPING GOD
WITH THE CHRIST
WE HAVE EXPERIENCED

Today we need to worship God in our spirit and with the Christ whom we have experienced as the burnt offering, meal offering, peace offering, sin offering, and trespass offering.

We need to worship the Father with the Christ who is the fulfillment of the offerings that the children of Israel offered in their worship to God. This Christ is not the objective Christ; rather, He is the subjective Christ, the Christ whom we have experienced. The experience of Christ as the fulfillment of the offerings results in reality. This is the reality in John 4:23 and 24, the divine reality experienced by us and resulting in our virtue. This virtue also is reality.

Life-study of First John

Message 10 ()LSM)

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Un Hermano

Jun 2, 2025

b. To Worship the Father

As we worship the Father, singing praises to Him, Christ, the firstborn Son, sings in our singing. Throughout the centuries the firstborn Son has been singing hymns of praise unto the Father in the church. He does this in all of His brothers. Because He is in us, He sings praises unto the Father in our singing. His singing is in our singing. When we sing, He sings, because He is within our singing. In this way, at the Lord’s table the firstborn Son, who dwells in His many brothers who compose the church, sings praise to the Father from within them.

The Conclusion of
the New Testament:
Message 205 (LSM)

Read more
Maria Nunez

Jacksonville, FL, United States

Nov 3, 2024

I praise You and worship You

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Vanessa

Tampa, FL, United States

Oct 27, 2024

Oh how we praise thee!!!!

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Vanessa Carire

Tampa, Florida, United States

Apr 9, 2023

Amén♥️

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Jlin

McKinney, TX, United States

Dec 11, 2022

We bow and worship, Father, here

And marvel at Thy wondrous love.

Read more
Christopher Burk

Seattle, Washington, United States

Aug 7, 2022

My spirit is Thy holiest place, Thy throne of grace is founded there! Wow! Amazing!

Read more
Anonymous

Arlington, TX, United States

Jun 19, 2022

Praise you Father for your intent!
Hallelujah we take part in your intention!
Oh Lord, manifest your expression in us!

Read more