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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Savior, lead me up the mountain

Longings For Fellowship with Christ

English378
1
Savior, lead me up the mountain,
Where the Lord alone is seen,
Where we hear the voice from heaven,
Where the air is pure and clean.
 
Lead me higher up the mountain,
Give me fellowship with Thee;
In Thy light I see the fountain,
And the blood it cleanses me.
2
Higher up where light increases,
Far above all earthly strife,
Where the strain of effort ceases,
Where in Christ we reign in Life.
3
Savior, keep me up the mountain
Pressing on toward the goal,
Till, as one, we share Thine image,
And Thy love and grace extol.

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Un Hermano

Mar 8, 2026

THE VISION OF CHRIST AS THE SON OF GOD

------------------

Peter received the revelation concerning Christ as the Son of God. This is seen by the Lord’s reply to Peter. However, it is one thing to receive the revelation of the Son of God and another thing to see the vision of the Son of God. To have a revelation concerning a certain thing is to understand, realize, and comprehend its spiritual significance, whereas to see the vision is to see that thing itself.

Matthew 17:1 says, “After six days Jesus took with Him Peter and James and John his brother, and brought them up to a high mountain privately. ” Whereas this verse says that Christ ascended the Mount of Transfiguration after six days, Luke says that He did so after eight days (9:28). In the Jewish calendar, six days could be considered eight days, for part of a day was counted as one day. According to their calendar, the Jews could include the last part of the first day and the first part of the last day. Hence, the expression six days in Matthew 17:1 refers to a period of one week, a week after the event that took place in Caesarea Philippi. A week, like a day, month, or year with four seasons, is a turn of time. For instance, if we miss the sun rising one morning, we must wait for another turn of time; that is, we must wait until the following morning before we will have another opportunity to see it. God arranges many turns of time in order for us to see the vision of Christ. In order to see the vision of Christ, we need to seize every opportunity of the turn of time. If we miss an opportunity to see Christ, we may need to wait for another turn of time, whether a day, a week, a month, or a year. For instance, if we fail to see the vision of Christ in one meeting, we may need to wait for another meeting. Therefore, we should not miss any opportunity to see Christ.

Basic Lessons concerning the New Testament Service

7. The Revelation, Vision, and Application of Christ as the Son of God CWWL, 1970, (LSM)

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Maria L

Fremont, California, United States

Feb 4, 2026

Lead us, Saviour, up the mountain to be with our Father privately to pray! 🙏 Grant us a fellowship with You ! In Your light we see the fountain of life, and Your blood cleanses us! We love You, Lord Jesus ❤️!

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Cielito Sio

Paranaque City, Metro Manila, Philippines

Aug 9, 2023

As earthly strife continues to increase each day, Lord bring us higher;

Higher up where Your light also increases, where our effort ceases, where we are in Christ, where we reign in life...

Amen

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Lilo Xu

Auckland, New Zealand

Mar 17, 2022

Amen Lord, make this our desire. we want to be higher up the mountain where we see the Lord alone, where we can stay in the fellowship with the Lord. oh Lord, keep us up the mountain, keep us pressing on toward the goal!!

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Steve Miller

Detroit, Michigan, United States

Mar 26, 2021

This original song was written in 1884 by William J. Pearson (1832-92). Pearson joined the Salvation Army in 1874, 4 years before the name "Salvation Army" was adopted. Using his ability as a writer, Pearson was able to help rally the troops in the midst of the battle. He became one of William Booth's closest associates and ran the Salvation Army publishing house. Here is the original song:

------------
1 Jesus, lead me up the mountain,
Where the whitest robes are seen,
Where the saints can see the fountain,
Where the pure are keeping clean.
<chorus is the same as hymnal. net>
------------------
2 Higher up, where light increases,
Rich above all earthly good,
Where the life of sinning ceases,
Where the Spirit comes in floods
-------------
3 Lead me higher, nothing dreading,
In the race to never stop,
In Thy footsteps keep me treading,
Give me grace to reach the top.
---------------
4 Save me better, make me surer,
Put me where the fire refines,
Where the breath of hope is purer,
Where the brightest glory shines.
----------
- hymnary & southernTerritorialBand

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Anonymous

שלום

Aug 24, 2015

Num.6:24-27, Savior Thank You for Blessing us, Your recovery on earth, our song is "one one one". LORD Bless Your Project in Southern California (9000 saints), God's retreat Place, the Mountain of God, of having pleasant times with His people. (Life Study #12 Psalm). www.socalblendingcenter.org

Brother Lee once said, you never know how much a physical facility will facilitates the Lord's coming. We believe the LORD will bless, saints will rise up, act as one unit in this singular project for the LORD's move here on earth. Amen & I am too the happiest person under the hearing of this project:):) for through this our God is not only obtaining a place of retreat, the mountain of our God for Himself but also in this very process of obtaining this place, He is producing His pure in heart, Matt.5:8 for only our God is pure and today our heart cannot be divided, we want our God, 2Cor. 3:18 we want serving our God alone today. For this O LORD, Bless EACH one saint, Bless EVERY brother and sister for the LORD's move to end this age. Bless us ONE BY ONE, Use us ONE BY ONE to Bless others for the whole earth needs is just Jesus our Savior.

Exo.25, 25:2, 35:5,, 21, 22-29, 36:6, 1Cor.16:2, 2Cor.9:7. (LORD each saint)

Savior, each one part for You &Your recovery Thank YOU we want to be ONE by ONE part of 'they' who see God Matt. 5:8, and are standing with Him, these are 'they' who follow the Lamb. Rev.14:1, 4-5.

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Heinz Hohenstein

Edmonton, Alberta, Canada

Oct 13, 2014

How sweet and sublime to be in fellowship with God up on the mountains!

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Antipas

Kwahu, Eastern, Ghana

Jul 23, 2014

Oh Lead me higher up the mountain,
Give me fellowship with Thee.
Oh Lord lead us on.

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Frank Pytel

Chicago, Illinois, United States

Mar 25, 2011

I don't know of any other hymn that the word "mountain" is referred to so much. In the book of Matthew the word "mountain" is referred to about fourteen times. Each reference to the word "mountain" brings us into a new glimpse of Christ. Whether it be the first mention when He was tempted, or the last one where in resurrection He commissioned the disciples to "go," there is always a new revelation of Christ! May our life be one on that mountain where we can hear the Beloved's voice alone!

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