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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Since Christ my soul from sin set free

Assurance and Joy of Salvation General

English348
1
Since Christ my soul from sin set free,
This life has been a joy to me;
And ’mid earth’s sorrows and its woe,
’Tis joy my Jesus here to know.
 
O hallelujah, yes, ’tis joy!
For it is Christ that I enjoy!
On land or sea, what matters where?
Where Jesus is, my joy is there.
2
The earth was once a bitter place
Till Jesus showed His smiling face;
Now joy’s begun within my soul,
’Twill last while endless ages roll.
3
What matters where on earth we dwell?
On mountain top, or in the dell,
In cottage, or a mansion fair,
Where Jesus is, my joy is there.

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Marie Dimeo-Rady

Trenton, New Jersey, United States

Jul 10, 2023

I am really love this song and I was searching for for that hymn still I watched on you tube thank God

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Edmund Blay

Grand Forks, ND, United States

Jun 16, 2023

I really enjoy most of the songs. The instrument and lyrics uplift my soul when I feel lonely and bored.

Thank you so much for the inspiration and blessings it has been to me.

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Patrick Bradley

Atlanta, GA, United States

Apr 7, 2023

This hymn has always been an inspiration to me and it’s words and melody have never failed to bring me into the presence of the smiling face of Jesus.

I also appreciate and agree with Brother Steve Millers comments on the original use of the word heaven.

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Gary

Meriden, KS, United States

Oct 27, 2022

We are currently looking for assisted living for my aging parents whose health is failing. It is a difficult transition for them after living in their home for over 50 years. This song reminds me my joy and home is wherever Jesus is.

What matters where on earth we dwell?
On mountain top, or in the dell,
In cottage, or a mansion fair,
Where Jesus is, my joy is there.

Read more
Ana Lara

Storrs, Connecticut, United States

Mar 7, 2022

Charles J. Butler (USA 1860)—Butler, a Methodist, speaks of a voyage he took from his home, Camden, New Jersey, as a bachelor, to Britain around 1894, stating he roamed around the British Isles for 14 months through Scotland, Ireland, Britain, and Paris, dealing with ship stewards, street urchins, and visiting famous sites. He wrote about his trip in 1901. He later resided in Philadelphia and was a salesman and musician. He wrote “Heart Melodies # 3” with Charles Bentley (1897). He is possibly the listed secretary of the YMCA in Philadelphia in 1920.

Butter also wrote this hymn “Since Christ My Soul from Sin Set Free” which was one of the hymns selected for the memorial of a dear servant of the Lord celebrated today in the church in Newinton, Connecticut (3-06-22).

Ricky was a crazy lover of the Lord, an exceptional family man and dedicated doctor. He will be missed. The other hymn selected in his memorial titled “A Celebration of Life, ” was “Sweet Hour of Prayer. ” By William W. Walford.

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Ray S

Waco, Texas, United States

Feb 11, 2022

... Jesus showed His smiling face,

Now joy's begun within my soul!

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Linny

Derby

Feb 10, 2022

O hallelujah, yes, ’tis joy!
For it is Christ that I enjoy!
On land or sea, what matters where?
  Where Jesus is, my joy is there.

Read more
William Jeng

Irvine, CA, United States

Jan 23, 2022

Lord, You are truly the Shepherd & Overseer of our souls. You are our joy!! No matter where we are - mountain tops or valleys. What a Christ we have!

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Jade

Taguig, Metro Manila, Philippines

Aug 15, 2021

I’ve been singing this the whole day and it drives away my depression. Praise the Lord Jesus. I love you!!!

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Chun Wang

Richardson, Texas, United States

Mar 28, 2021

Colossians 1:12 reveals that Christ is the alotted portion of the saints in the light. Hallelujah, He is our portion, our enjoyment! On land or sea, what matter where? Where Jesus is, my joy is there! Praise Him!

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