Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

Open this guide as its own page

Download limit reached

Come, Thou Fount of every blessing

Assurance and Joy of Salvation Saved by Grace

English319
1
Come, Thou Fount of every blessing,
Tune my heart to sing Thy grace;
Streams of mercy, never ceasing,
Call for songs of loudest praise.
Jesus sought me when a stranger,
Wand’ring from the face of God;
He, to save my soul from danger,
Interposed His precious blood.
2
O to grace how great a debtor
Daily I’m constrained to be!
Let that grace, Lord, like a fetter,
Bind my wand’ring heart to Thee.
Teach me, Lord, some rapturous measure,
Meet for me Thy grace to prove,
While I sing the countless treasure
Of my God’s unchanging love.
3
Prone to wander, Lord, I feel it;
Prone to leave the God I love:
Take my heart, oh, take and seal it
With Thy Spirit from above.
Rescued thus from sin and danger,
Purchased by the Savior’s blood,
May I walk on earth a stranger,
As a son and heir of God.

Delete Comment

Delete this comment? This cannot be undone.

Habila Dimas

Minna, Niger State, Nigeria

Oct 25, 2014

I love this song! I hear it from afar whenever my neighbor plays it every morning. I had to look for the song online...it's a blessing to my soul!

Read more
Carolyn

Knoxville, TN

Oct 6, 2014

After sunshine begins to dawn after a period of pain and sorrow, this song flew into my mouth and fingers.

Read more
Jewel La Belle

Centerville, MA, United States

Oct 1, 2014

What an amazing song! I am so often prone to wander, so it is an encouraging song. I love to wake up in the morning and sing a hymn with my devotions, and I often flip to this one.

Read more
Comfort Joseph

Abuja, Nigeria

Sep 1, 2014

I love this song so much. It blesses my soul always. For some days now I can't stop singing it out as my worship to God who has been faithful to me and my family.

Read more
Monique Emilyne Thomas

New York, Bronx, United States

Aug 2, 2014

I never tire of hearing this beautiful old hymn either. Learned it not from church, but from the leaders of a powerful ministry of which I have been a member for many years. Very stirring.

Read more
Loretta Navar

Jun 16, 2014

One of the most stirring, soul-inspiring hymns that surpasses the ages....I never tire of hearing this magnificent work....

Read more
Roger Hsu

May 18, 2014

Thank You Lord for Your in unchanging love! You are our everything!

Read more
Darin

MN

Mar 28, 2014

This song is used at the church my family just joined.

The words and tune are wonderful.

Read more
Joan

South Carolina, United States

Sep 20, 2013

Another verse:

I was lost in utter darkness
Til You came and rescued me;
I was bound by all my sin when
Your love came and set me free.
Now my soul can sing a new song,
Now my heart has found a home,
And Your grace is always with me
And I'll never be alone!

Chorus:
Come Thou Fount, come Thou King,
Come Thou precious Prince of Peace
Hear Your bride, to You we sing,
Come Thou Fount of our blessing.

Read more
Steve Miller

Detroit, MI, United States

Sep 19, 2013

Robert Robinson had always been prone to wander. Apprenticed to a barber at 14, he spent more time reading and playing with friends than cutting hair. Then, still a teen, he went to a George Whitfield meeting, intending to ridicule it - and instead was converted. After his apprenticeship was over, Robinson went into the ministry. He wrote this hymn at the age of 23 as he served at the Calvinistic Methodist Church in Norfolk, England.

Late in life, Robinson did stray from the faith. Once, in a stagecoach, he sat by a lady who was reading a hymnbook. She showed him "Come, Thou Fount," saying how wonderful it was. He tried to change the subject, but couldn't. Finally he said, "Madam, I am the unhappy man who wrote that hymn many years ago, and I would give a thousand worlds to enjoy the feelings I had then." - Great Songs of Faith by Brown & Norton

--------------------------

See David Jones' posting on 4/18/2010 for lyrics closer to the original. My favorite part of this hymn is the rich allusion of the memorable, "Here I raise my Ebenezer" (stone of help 1 Sam 7:2-14) in the original stanza 2.

Read more