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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Thou art our consecration

Consecration Christ as Our Burnt Offering

English1138
1
Lord, Thou art our consecration,
Thou the consecrated One;
Thou hast satisfied the Father—
Consecration thus was done.
When on earth Thou hadst no pleasure,
Save to do the Father’s will;
Now Thou livest here within us,
Consecration to fulfill.
2
Lord, we praise Thee for the picture:
Consecration’s ram we see,
Burnt for God’s full satisfaction,
Eaten and enjoyed to be.
Thou art now our ram, Lord Jesus,
Offered for the will of God;
By Thy consecration, faultless,
We may walk where Thou hast trod.
3
As we eat Thyself, Lord Jesus,
Consecrated we become;
By Thy wondrous life within us,
Thy obedience is our own.
No more need we strive and struggle,
Consecrated try to be;
Consecration dwells within us—
Now our part to eat of Thee.
4
Lord, we praise Thee, consecration
Is nought else but Thee as food:
As we eat Thee and enjoy Thee,
We are all made one with God;
One in will and one in purpose
We become by eating Thee:
As we take and eat Thyself, Lord,
Consecrated we will be.

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Anonymous

Budapest, Hungary

Jul 25, 2026

Eat Him, Drink Him, Enjoy Him, Consecrated you'll become. Praise Him

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Anitha Nokku

Tustin, CA, United States

Jul 21, 2026

As we eat Thyself, Lord Jesus,
Consecrated we become;
By Thy wondrous life within us,
Thy obedience is our own.

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Un Hermano

May 11, 2026

CONSECRATED ONES HAVING AUTHORITY

---------------

We receive authority as soon as we pass through the gateway of consecration. In Exodus 32 God burned with anger against the children of Israel after they worshipped the golden calf. He wanted to consume them, and He said to Moses, “Your people, whom you brought up out of the land of Egypt, have corrupted themselves” (v. 7). However, Moses responded, saying, “Why does Your anger burn against Your people, whom You brought out of the land of Egypt with great power and with a mighty hand? ” (v. 11). With his word Moses confirmed that this matter was God’s responsibility. Because Moses was an absolutely consecrated person, he properly turned over all responsibility related to this situation to God.

Few among us can say, “My prayers are for the Lord, not for myself. ” Once there was a brother who had a long-standing health problem related to his stomach, and he often prayed earnestly about his illness. One day I asked him, “When you pray for your illness, is it for yourself or for the Lord? ” Saints, have you consecrated yourselves? Are you for the Lord? Someone may say, “I have entrusted everything to the Lord. ” But merely entrusting things to the Lord is not enough; you need to hand them over to Him. To say that you have entrusted yourself to the Lord is like depositing money in the bank for safekeeping but that can still be withdrawn at any time. You may have entrusted everything to the Lord, but the authority to use the things remains in your hands. You should turn all authority over to the Lord; only in this way can the Lord truly bear our responsibilities.

God's Need and God's Goal
Chapter 3 Satisfying God’s Need
CWWL, 1957, (LSM)

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Laura Viza

Tigard, Oregon, United States

Jan 11, 2024

Oh Lord Jesus, we want to be obedient just as you are. Help us Lord, to follow always the father’s will as our own.

“No more need we strive and struggle,
Consecrated try to be;
Consecration dwells within us—
Now our part to eat of Thee. ”

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Anonymous

Lubbock, TX, United States

Dec 28, 2022

As we eat Thyself, Lord Jesus,

Consecrated we become!

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David

Chile

May 22, 2022

By Thy consecration, faultless,

We may walk where Thou hast trod.

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Andrea Villanueva

Tacoma, WA, United States

Apr 1, 2018

Hallelujah! We can Eat Obedience.

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Tim Ou

Austin, Texas, United States

Jan 28, 2018

Eating Jesus is the way!

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Brooke

Fayetteville, Arkansas, United States

Jan 7, 2018

What a beautiful song!!!

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Melisa

Sault Ste. Marie, Ontario, Canada

Dec 31, 2017

Hallelujah. Consecration dwells within us!!! Thank You Jesus!!

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