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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Grace! ’tis a charming sound

Assurance and Joy of Salvation Saved by Grace

English312
1
Grace! ’tis a charming sound,
Harmonious to the ear;
Heav’n with the echo shall resound,
And all the earth shall hear.
 
All sufficient grace!
Never powerless!
It is Christ who lives in me,
In His exhaustlessness.
2
’Twas grace that wrote my name
In life’s eternal book;
’Twas grace that gave me to the Lamb,
Who all my sorrows took.
3
Grace taught my wandering feet
To tread the pilgrim road;
And new supplies each hour I meet
While pressing on to God.
4
Grace taught my heart to pray,
And made my eyes o’erflow;
’Tis grace which kept me to this day,
And will not let me go.
5
Grace all the work shall crown
Through everlasting days;
It lays in love the topmost stone,
And well deserves the praise.
6
Oh, let that grace inspire
My heart with strength divine;
May all my powers to Thee aspire,
And all my days be Thine.

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Starets Maquiling

Davao City, Philippines

Nov 9, 2012

Hallelujah! We need to enjoy the Lord as our all-sufficient grace by singing hymns and praising Him! Singing hymns must be part our daily living instead of speaking in corrupt way! We must minister grace to others! Hallelujah!

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Peter Idowu

Dublin, Ireland

Sep 9, 2012

This DIVINE hymn has been continually be in my life. Without the GRACE of GOD I just don't know what human being can, will do in life. May HIS Grace be sufficient for us all.

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Antipas2

Brooks, Alberta, Canada

Aug 25, 2012

Grace taught my wandering feet to tread the pilgrim road.

'tis grace which keep me to this day, and will not let me go.

What surpassing riches of God's grace this is! This hymn surely

makes my eyes overflow with joy and gratefulness, thankful

to God's full and complete salvation by grace alone, Hallelujah!

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Tunde

Lagos, Nigeria

Jul 20, 2012

The wordings of this hymn has ministered to me greatly particularly in my local language (Yoruba). May those who need God's grace receive inspiration from this hymn.

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Aderonke Popoola

Makurdi, Benue, Nigeria

Jul 18, 2012

This song just came up to my mind this morning as I got to the office. My heart was filled with some burden and I just needed to listen to an hymn that will help me. Thank You Jesus for this Great grace it has seen me through till now. May God bless the writer of this hymn.

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Antipas

Asikuma, Central Region, Ghana

Jul 15, 2012

Oh Lord Jesus, what a charming sound I hear this evening. First time i'm hearing this song and it is grace, grace, grace...hallelujah for the all sufficient grace, Amen.

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Olusegun Dada

Abuja, Nigeria

Apr 12, 2012

When I was a kid in the Methodist church of Nigeria, I used to hear my mother sing this song in Yoruba, (ore ofe sha) and whenever I heard her sing it I do understand the value she placed on the song, herself coming from a Muslim background. I didn't fully understand the import of the song until many years after when I dedicated my live to Christ and looking back now, it is only the Grace of God that has brought me thus far, anytime I hear or sing this song, tears well up in my eyes as it does now. Grace really is a charming sound.

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Blessing

Toronto, Ontario, Canada

Jan 29, 2012

Just as Ruby wrote above, this hymn is popular in the Anglican Church of Nigeria where I learned to sing it from an early age. I searched the internet for it tonight to share it with a friend so that it may encourage her as it has encouraged and comforted me for many years. Thanks to the website host/owner for the music and the lyrics.

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Dr Johannes Maas

Jomtien Beach, Chonburi, Thailand

Mar 14, 2010

Absolutely awe-inspiring words from the author of "Rock of Ages," whose profound words, "Nothing in my hands I bring, Simply to The cross I cling," have been a beacon of light and a compass of hope to me in my 55 years of missionary service. Rev. Toplady gives insight to the depths and heights of God's grace. His words bring boldness in the face of Satan's attacks, and comfort and solace in times of discouragement.

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Ruby Oziegbe

Atlanta, GA, United States

Jan 6, 2010

This is one of the most beloved hymns in Nigeria where I'm originally from. The chorus of the version we sing is "Saved by grace alone! This is all my plea. Jesus died for all mankind and Jesus died for me." I find this tune to be very soothing and calming, like He is standing right by me. Grace! Grace! Grace! That's what it's all about, for no one can earn this great salvation. Thank you for this site.

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