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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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What a wonderful change in my life has been wrought

Assurance and Joy of Salvation Changed in Life

English309
1
What a wonderful change in my life has been wrought
Since Jesus came into my heart!
I have light in my soul for which long I had sought,
Since Jesus came into my heart!
 
Since Jesus came into my heart!
Since Jesus came into my heart!
Floods of joy o’er my soul like the sea billows roll,
Since Jesus came into my heart!
2
I have ceased from my wand’ring and going astray,
Since Jesus came into my heart!
And my sins which were many are all washed away,
Since Jesus came into my heart!
3
I’m possessed of a hope that is steadfast and sure,
Since Jesus came into my heart!
And no dark clouds of doubt now my pathway obscure,
Since Jesus came into my heart!
4
There’s a light in the valley of death now for me,
Since Jesus came into my heart!
And the gates of the City beyond I can see,
Since Jesus came into my heart!
5
I shall go there to dwell in that City I know,
Since Jesus came into my heart!
And I’m happy, so happy as onward I go,
Since Jesus came into my heart!

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Jim Smith

Mansfield, Ohio, United States

Apr 3, 2026

This hymn is so real and seems to be a testimony of the author’s salvation experience. It is so important to speak about our spiritual life experiences. If no one witnesses for the Lord, how will the unbelievers ever be saved and grow. We can witness to others our salvation experiences and at the same time see this wonderful change in others. Our witnessing is crucial for the world to see Christ. It also builds up the body of Christ!

About the author: McDaniel was ed­u­cat­ed at Park­er’s Acad­e­my in Clare­mont Coun­ty, Ohio. He re­ceived a preach­ing li­cense at age 19, and was or­dained a min­is­ter of the Christ­ian Church (Disciples of Christ) in 1873. After serv­ing at var­i­ous lo­ca­tions in Ohio, in­clud­ing Ham­ers­ville, Hig­gins­port, Cen­ter­burg, Su­gar Creek, and Cin­cin­na­ti, he re­tired in Day­ton, Ohio. He wrote more than one hun­dred hymns, but only this one survives in common usage.

He had three children. One son, Clarence also became a minister. His youngest son, Herschel, died in 1913, and in 1914, following the untimely death of his son, Rufus penned these words to remind himself and others of the importance of faith, hope, and joy even in times of trial. Pastor McDaniel felt the best way to honor their son was to write a song expressing the believer’s hope in Christ.

God honored this declaration of faith in an amazing way. The tune for the hymn was composed by Charles Hutchinson Gabriel, and the song was introduced in pamphlet form at Billy Sunday campaigns at Philadelphia in 1915. An officer named Fowler had been assigned by the police department to attend the meetings each night, to see that they were orderly. (He became a captive audience! ) God used the message of this song to convict and convert him. Not only did he put his faith in the Savior, but during the remaining two weeks of meetings, he convinced many of his fellow officers to attend, and more than a hundred professed their faith in Christ.

This is a wonderful example of the transforming power of the gospel, and that is precisely the message

the song–that God brings about a “wonderful change” in the lives of those who are saved through personal faith in Christ.

- cyberhymnal, barryshymns & wordwisehymns

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Un Hermano

Oct 10, 2025

Life Being Everlasting

Life is a mystery, and it is rare for someone to be able to explain the mystery of life clearly. However, there are three characteristics of life. First, life never dies; it is eternal. If a life can die, it is only symbolic of the reality of life; it is not the real life. In the natural world, there is animal life, plant life, and human life, but none of these types of life are real; they are only symbols of the true life of God. The Lord Jesus said, “I am... the life” (John 11:25). As life He is eternal, divine, incorruptible, and everlasting. The real life is the Lord Jesus Himself.

GOD’S LIFE ENABLING US

TO LIVE OUT GOD

In God’s way of salvation, He redeems us from our sinful, fallen, corrupt, and lost position. He also regenerates us by entering into us as the Spirit to be our life. Through regeneration we have God’s life in addition to man’s life. God’s life is divine, glorious, holy, and good. This life enables us to have a divine living, to know God, and to express God by living Him out. Hymns, #309 says, “What a wonderful change in my life has been wrought / Since Jesus came into my heart! ” This is the glorious gospel of God.

Gospel Messages
Chapter 4 (LSM)
CWWL, 1966, vol. 3

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Michael Such

Gainesville, FL, United States

Jun 9, 2024

🌊 Oh those mighty sea billows! 🌊

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Bryant V

San Jose, CA, United States

Mar 10, 2024

Since Jesus came into my heart!

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Maurice Ward

Irving, Texas, United States

Aug 13, 2023

For you were once darkness but are now light in the Lord; walk as children of light

Ephesians 5:8

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Moses Lawrence

Lagos, Lagos State, Nigeria

May 8, 2022

This hymn reminds me of the day of my salvation. It's a wonderful hymn

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Peter Koroma

Tottenham, West Area, United Kingdom

May 1, 2022

This hymn is spirit filled

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Dawn

Brampton, Ontario, Canada

Feb 11, 2022

Thank you

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Anonymous

Jan 12, 2022

Thank you

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Anonymous

Jun 30, 2021

made my day

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