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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Through the Cross, O Lord, I pray

Fullness of the Spirit By the Cross

English279
1
First the blood, and then the ointment,
Cleansing, then anointing comes;
If we pass not thru Golgotha,
Ne’er to Pentecost we’ll come.
If the blood has never cleansed us,
Ne’er the Spirit’s pow’r we’ll know,
If for Christ we’d truly witness,
Self-life to the Cross must go.
 
Through the Cross, O Lord, I pray,
Put my soul-life all away;
Make me any price to pay,
Full anointing to receive.
2
Christ, the Rock, must first be smitten,
That the living water flow;
Without death the Spirit’s fullness
Ne’er could dwell in man below.
If with Christ we die completely,
Willing thus our all to lose,
He will clothe us with His power
And to win the world will use.
3
First the altar, then the fire,
If no loss, there’ll be no gain;
If our all has not been offered,
To the throne we’ll ne’er attain.
If to sacrifice we’re willing,
All forsaking, God t’obey,
He to us will be committed
And thru us His pow’r display.
4
First we must prepare the vessels
That the Oil they may contain;
Dig the valley full of ditches
That they may be filled with Rain.
First we must go thru the Jordan
Ere anointed from above;
First in death we must be baptized,
Then experience the Dove.
5
When we see the ripened harvest
Of the golden countryside,
We may know that many seeds have
Fallen to the earth and died.
Ere the fruit of life may blossom,
We must surely suffer death;
If with Christ we’ve not been buried,
We’ll not feel the Spirit’s breath.
6
Since it must be thus, I pray, Lord,
Help me go the narrow way;
Deal with pride and make me willing
Thus to suffer, Thee t’obey.
I for greater power pray not,
Deeper death is what I need;
All the meaning of the Cross, Lord,
Work in me—for this I plead.

Copyright Living Stream Ministry. Used by permission.

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Jeffrey

CA, United States

Oct 26, 2019

Through the Cross, O Lord, I pray,
Put my soul-life all away;
Make me any price to pay,
Full anointing to receive.

Read more
Bozena

Liverpool, United Kingdom

May 3, 2019

I for greater power pray not,
Deeper death is what I need;
All the meaning of the Cross, Lord,
Work in me-for this I plead.

Read more
Nigel Gedorio

Malabon City, National Capital Region, Philippines

Sep 21, 2018

Lord we praise You for Your person and Your cross! In the book of Leviticus God in Christ is revealed in a detailed way concerning the significance of the altar, the priest and the basis of their service. The altar is nothing without the offering. But much more the offering is nothing without the fire from heaven that consume the offering. Today as we serve God, we need to realize that our service must be out from the altar and of fire. This warns us as we serve the Lord and His body not to serve with our natural way (strange fire). Thank the Lord that He is the source of our service and the way is the cross which is the altar. Hallelujah!

Read more
Yohan Yosef

Philippines

Nov 13, 2017

"For I did not determine to know anything among you except Jesus Christ, and this One crucified. " 1 Cor 2:2

In His economy, God gives us one person-Christ , and one way—the cross.

The cross is both a narrow way and a highway. For those not willing to take the cross, the cross is a narrow way. But for those who are willing to take this way, the cross becomes a highway. oh! In everyway we turn may we see Jesus Christ, the Crucified. Trouble? Problems? Anxieties? Let Christ come as the cutting instrument to untangle. God's way is to supply us with Christ and to terminate us by the cross.

Read more
Fred Northrup

Crescent City, CA, United States

Oct 22, 2017

Praise the Lord we are those who are being saved and the word of the cross has become the power of God to us! Thank You Lord for the blood! Thank You Lord for the anointing!!!!

Read more
Rosaline Rowe-Taylor

Birmingham, West Midlands, United Kingdom

Aug 16, 2014

I found myself singing this song repeatedly for over a month now and the more I sing the more meaningful it becomes and the deeper my consecration becomes too. As I continue to sing read, pray-read and ponder I realise how much I have frustrated the Lord and the urgency of going the narrow to gain the Lord and meet His urgent need. Lord I unreservedly give myself to you to go the narrow way.

Read more
Lily Wong

Mississauga, ON, Canada

Sep 10, 2003

It really remind me once again that our God is the God of principle. Without the experience of blood, you will never have an experience of oilment. No skip steps! I listen to this song again and again this whole week, I really feel the spirit of the writer, how his experiences in the Lord, it is so deep so deep. And actually this is the way exactly how we can touch the Lord more and more and to be filled by Him.

Read more