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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Thou hast shown the mystery

Union with Christ Identified with His Death and Resurrection

English488
1
Lord, Thou hast shown the mystery,
How on the Cross I died with Thee;
I need no other pow’r or way
That I may triumph day by day.
2
That cross of Thine is also mine,
Into my life its light doth shine;
When I believe I’m dead with Thee,
The world has lost its pow’r o’er me.
3
Since I am crucified with Thee,
From sin and self I am set free;
How can I still enjoy the world
Or seek its vanities unfurled?
4
I take my place, dear Lord, with Thee
Upon the cross of Calvary.
Thy life and power then are mine,
Since Thou and I in oneness twine.
5
Since Thou didst come to slay the foe,
His work and power to overthrow,
I too can overcome in Thee
And prove Thy mighty pow’r in me.
6
Yet, for the vict’ry we rely
Upon the death which Thou didst die;
We tread the path which Thou hast trod
Until we reach the goal in God.
7
My death with Thee I now believe
And all its meaning would receive.
Thy death more deeply show to me,
That from my flesh I may be free.
8
I long to win as Thou hast won,
To reign with Thee when Thou dost come.
If we the cross will gladly bear,
Then in Thy glory we will share.

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Un Hermano

Dec 1, 2025

THE MYSTERY OF GOD’S WILL

Verses 3 through 14 of Ephesians chapter one are actually one long sentence. Therefore, we should not isolate any verse, clause, or phrase from the whole sentence. Verse 5 says that God has predestinated us unto sonship through Jesus Christ to Himself, according to the good pleasure of His will. The praise of the glory of God’s grace spoken of in verse 6 is the issue of the sonship in verse 5 . Sonship is altogether a matter of grace. God’s grace makes us sons of God. The Spirit of the Son, the life of the Son, the position of the Son, the image of the Son, the completion of sonship, and the inheritance of all that God is in the sonship are all matters of grace. As we have pointed out, grace is God Himself. God Himself has come to accomplish everything for us that we may be His sons with the full sonship. With this grace God has graced us in the Beloved (v. 6).

I. THE MYSTERY HAVING BEEN HIDDEN

THROUGH THE AGES

In this message we come to the mystery of God’s will. God’s will has a mystery, a mystery that has been hidden through the ages (3:5 ; Col. 1:26). The universe is a mystery. Why is there a heaven, and why does the earth exist? Why are there so many millions of items in the universe? Why is man here on earth? All these questions are mysteries and have given rise to many different philosophies. The mystery, which is the will of God, has been made known to the church through the apostles. A will is an intention, and the will of God is God’s intention. God’s intention is intimately related to the desire of His heart. Thus, the mystery of the universe is a matter of God’s will, which is related to the desire of God’s heart. We need to know the mystery, the will of God, and the desire of God’s heart.

The mystery of the universe is the church, and the church is a group of people into whom God is working Himself. Eventually, the church will be fully saturated with God and will consummately become the holy city, the New Jerusalem. The church will not only be saturated with God but also mingled with Him. This does not mean, however, that we shall become the Godhead. No, this is neither what we say nor what we mean. Nevertheless, as those who are being saturated with God and mingled with Him, we shall become the very expression of God. The New Jerusalem will be the corporate expression of God. As we have pointed out a number of times, both God on the throne (Rev. 4:3) and the New Jerusalem (Rev. 21:11) have the appearance of jasper. This means that the entire city has the appearance of God and is the expression of God. This is the mystery of the universe.

Life-study of Ephesians
Message 7 The Mystery of God's Will
(LSM)

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Un Hermano

Dec 1, 2025

II. CLOSING THE AGE

At the sounding of the seventh trumpet, not only will the great tribulation be ended, but also this age will be closed. The mystery of God will be finished (10:7), and the kingdom of the world will become the kingdom of our Lord and of His Christ (11:15). Then another age, the age of the kingdom, the millennium, will begin.

Life-Study of Revelation
Message 28 The Seventh Trumpet
(LSM)

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Maria L

Fremont, California, United States

Feb 14, 2025

Praise the Lord! The Lord was willing and even glad to take up His cross, for He knew the joy set before Him. The cross is not a suffering: the cross is termination that we can now partake of His willingness to take up the cross, we will not complain, we will not murmur, and we will not speak about. We will simply bear it in our daily life for the building of the church. Hallelujah! 😀

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Brian Adamo

San Diego, CA, United States

Aug 7, 2024

What a release! What a freedom! To finally die experientially in Him frees us to live Him to meet His goal! We are always looking for another way to be victorious rather than the releasing way of Christ marvelous death. We died in Him on Calvary but now, based on the fact of His death, we die daily through the power of His resurrection!

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