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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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How I praise Thee, precious Savior

Fullness of the Spirit The Filling

English268
1
How I praise Thee, precious Savior,
That Thy love laid hold of me;
Thou hast saved and cleansed and filled me,
That I might Thy channel be.
 
Channels only, blessed Master,
But with all Thy wondrous grace,
Flowing through us, Thou canst use us
Every hour in every place.
2
Just a channel, full of blessing,
To the thirsty hearts around;
To tell out Thy full salvation,
All Thy loving message sound.
3
Emptied that Thou shouldest fill me,
A clean vessel in Thine hand;
With no strength but as Thou givest
Graciously with each command.
4
Witnessing Thy grace to save me,
Setting free from self and sin;
Thou hast bought me to possess me,
In Thy fullness, Lord, come in.
5
O Lord, fill now with Thy Spirit
Hearts that full surrender know;
That the streams of living water
From our inner man may flow.

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Moses Ohabuike

Kaduna, Nigeria

Aug 20, 2019

I was asked to take up a prayer meeting with the Elders of the church in our Joint Leadership meeting. The Spirit of the Lord just whisper to me that you are all Channels only. The Lord's love has laid hold of us, saved and cleansed us to be used as channels of blessings to the body of Christ. Oh what a privilege.

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Istifanus Ariko

Kaduna, Nigeria

Sep 20, 2018

I'm enthusiastic about this song hearing the voice of God in every line in my quiet time!

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Ana Lara

Tolland, Connecticut, United States

Feb 19, 2018

Lyrics by Mary E. Maxwell- published in the 1900’s. Music by Ada Rosa Gibbs. Born October 5th, 1864, White Chapel, England. Died April 16th, 1905, Bromley Kent, England.

Gibbs studied at the Royal Academy of Music for Five years. Around 1890, she began to work for the Salvation Army. She also sang in D. L. Moody’s Evangelistic Missions and was part the Keswick Convention Movement. She was married on August, 1898 to William James Gibbs at one time Superintendent of the Methodist Central Hall in Bromley Kent.

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Radhakrishnan

Salem, Tamilndau, Tamilnadu, India

Nov 1, 2017

Be our blessed Master... You are awesome... thank You so much Lord for Your love and grace...

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Inuwa K Bahago

Kaduna, Nigeria

Jul 31, 2017

The Lord has just graciously use my wife and I to be a channel to bless a ministry. Really a channel to link the ministry in need to a donor who met the felt need. When that was achieved this song I learnt over fifty years ago poped to my mind. Remembering only some lines with nowhere to find the song, I turn to Goggle and to my pleasure I found it. Thank you very much.

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Harshi

Mar 10, 2017

Surprised hearing this. I'm happy.

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Anonymous

Pittsburg, PA, United States

Oct 31, 2016

I also awakened with this song this morning after not hearing it for perhaps 40 years--so beautiful and expressive of our experience of God's Spirit which comes to us in our sleep with just the right words.

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Rosita Enriquez

Anaheim, United States

Feb 18, 2015

Thank you Anonymous, I had this song when I woke up too. For some reasons I thought the chorus went "vessels only blessed Master..."

Keep on singing, songs get deep down in our being, then in time of need, just as a deep well, it will spring forth living waters to refresh us and those who hear.....

Sing, sing, sing!

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Anonymous

Dec 29, 2014

Had this song in my dream, I awoke to find out the lyrics and the tune. Thank you.

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Susan

Eb, NJ, United States

Nov 17, 2014

Thanks Becky for such insights from the Word!

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