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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Through the bread and cup, Lord Jesus

Praise of the Lord Remembrance of Him

English227
1
Through the bread and cup, Lord Jesus,
We Thy death exhibit here;
What Thy love has done reviewing,
All Thy suff’ring we revere.
Bread and cup in separation,
Show that Thou thru death hast gone;
Grateful now, our spirit worships,
And to Thee we give our song.
 
Thine the cup of suff’ring,
Mine the cup of blessing;
For Thy love in Thy redemption,
Praise we ever sing!
2
Thou, in love, hast shed Thy blood, Lord,
Bringing us to God in grace,
That from God, no longer severed,
We may ever see His face.
All God’s righteousness and glory
Have been fully satisfied;
Thru Thy death’s abundant merit
We may now with God abide.
3
By Thy death the veil was riven,
Opened was the holiest place,
All the barriers have been broken;
We approach the throne of grace,
There receiving grace and mercy,
Thus the timely need to meet,
Drinking as of living water,
Tasting God Himself replete.
4
Thou in grace hast so redeemed us,
We the priests may be fore’er
To fulfill that holy office,
All God’s sweetness thus to share.
Such a blessing, such a mercy,
From Thy death for us ensue;
We would ever Thee remember
Till with Thee we drink anew.

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Maeriehl Joy Roxas

Philippines

Mar 10, 2021

That from God, no longer severed,

Eph. 2:18-19 For through Him we both have access in one Spirit unto the Father. So then you are no longer strangers and sojourners, but you are fellow citizens with the saints and members of the household of God.

Footnote on "Father" says [... ] Here the trinity of the Godhead is implied. Through God the Son, who is the Accomplisher, the means, and in God the Spirit, who is the Executor, the application, we have access unto God the Father, who is the Originator, the source of our enjoyment.

We may ever see His face.

Rev. 22:4 And they will see His face, and His name will be on their foreheads.

Footnote on "see" says "To see the face of God and of the Lamb and to have His name on their foreheads also will be blessings of the Triune God enjoyed by God's redeemed in eternity."

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Francis Y Chow

Anaheim, California, United States

Dec 1, 2019

Thank you Lord for opening Your way through Your death. Hallelujah

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Andrea

Tacoma, WA, United States

Nov 25, 2018

All God’s righteousness have been fully satisfied! I can’t make it, do it or be it, but I open again to The One Who IS, Who Can and Who Has! Oh Lord we receive All That You Are and have accomplished for us!

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Sue

Canada

Sep 16, 2018

你尝死亡苦味,
我饮救恩福杯!
你爱所作所为,
配得永远讚美!
阿利路亚!感谢主!赞美主!

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Justine

Pacifica

Mar 12, 2017

1 Through the bread and cup, Lord Jesus,
We Thy death exhibit here;
What Thy love has done reviewing,
All Thy suff’ring we revere.
Bread and cup in separation,
Show that Thou thru death hast gone;
Grateful now, our spirit worships,
And to Thee we give our song.

Chorus
Thine the cup of suff’ring,
Mine the cup of blessing;
For Thy love in Thy redemption,
Praise we ever sing!
2 Thou, in love, hast shed Thy blood, Lord,
Bringing us to God in grace,
That from God, no longer severed,
We may ever see His face.
All God’s righteousness and glory
Have been fully satisfied;
Thru Thy death’s abundant merit
We may now with God abide.
3 By Thy death the veil was riven,
Opened was the holiest place,
All the barriers have been broken;
We approach the throne of grace,
There receiving grace and mercy,
Thus the timely need to meet,
Drinking as of living water,
Tasting God Himself replete.
4 Thou in grace hast so redeemed us,
We the priests may be fore’er
To fulfill that holy office,
All God’s sweetness thus to share.
Such a blessing, such a mercy,
From Thy death for us ensue;
We would ever Thee remember
Till with Thee we drink anew.

Read more
Melissa

Ottawa, Ontario, Canada

Oct 2, 2016

Spanish hymnal 102

Chinese hymnal 181

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