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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I’ve found a friend in Jesus, He’s everything to me

Praise of the Lord Satisfaction with Him

English210
1
I’ve found a friend in Jesus, He’s everything to me,
He’s the fairest of ten thousand to my soul;
The Apple-tree of trees, in Him alone I see
All I need to cleanse and make me fully whole.
In sorrow He’s my comfort, in trouble He’s my stay,
He tells me every care on Him to roll:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.
2
He all my griefs has taken, and all my sorrows borne;
In temptation He’s my strong and mighty tower;
I’ve all for Him forsaken, and all my idols torn
From my heart, and now He keeps me by His power.
Though all the world forsake me, and Satan tempt me sore,
Through Jesus I shall safely reach the goal:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.
3
He’ll never, never leave me, nor yet forsake me here,
While I live by faith and do His blessed will;
A wall of fire about me, I’ve nothing now to fear,
With His manna He my hungry soul shall fill.
Then sweeping up to glory to see His blessed face,
Where rivers of delight shall ever roll:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.

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Marion

Cloverdale, CA, United States

Jun 6, 2016

Lovely

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Divine Oluchi Udoka

Abuja, FCT, Nigeria

May 2, 2016

These hymns are so inspiring! I Love You Lord, my everything, my life and all!

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Joseph 'Gbenga Olupitan

Kent, United Kingdom

Apr 5, 2016

This song came to me afresh this morning after my personal devotion. I am ever indebted to Jesus my Saviour. This song is inspiring!

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Philip Watson

United States

Dec 20, 2015

Song of Songs 2:3—As the apple tree among the trees of the wood, / So is my beloved among the sons

Footnote on apple tree—The lover appreciates Christ as the source of rich provision (apple tree) who supplies her in a timely way. She is satisfied with her delight in resting (sitting down) under Christ as an overshadowing canopy in the day (shade — Isa. 4:5-6; 2 Cor. 12:9) and with her tasting Him as the sweet, timely supply (sweet fruit).

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Ozegin Emmanuel Ehikioya

Lagos, Nigeria

Oct 27, 2015

The lily of the valley and the bright and morning star is MY EVERYTHING. I call Him the Lord and God of GOODNESS.

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Success Joshua

Abuja, Karu, Nigeria

Oct 11, 2015

Ever since I found a friend in Jesus, He (God) has been my best friend, He's my joy when am sad, my strength when am week, my hope when am hopeless, my sight in my dark hour, faithful when am unfaithful. He's everything, He's a friend that is closer than a brother to me.

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Dorcas T. Adesanya

London, England, United Kingdom

Oct 6, 2015

Indeed Jesus is the Lily of the valley, the bright and morning star. What a consolation that someone cares about my troubles and sorrows. Jesus was a man of sorrows and carries my sorrows. Now I am free from troubles of life because Jesus has carried all my sorrows. Though Satan tempt me sore, I shall surely reach my goal through Jesus in Jesus Name. My goal is God Himself. Thanks for uploading this song and God bless you all. All blessings.

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Nonsoumeji

Owerri, Imo, Nigeria

Sep 23, 2015

The songs makes me happy and going for the day.

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Lambert Nor

Lagos, Nigeria

Jul 15, 2015

Never alone! God is Good, Sweet.

One of my favourites and one of my Ringtones together with Amazing Grace.

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Jones Juwon

Lagos, Nigeria

Jun 29, 2015

I never knew this song was hiding somewhere in my spirit. I couldn't just stop singing it.

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