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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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In the bosom of the Father

Praise of the Lord His Increase

English203
1
In the bosom of the Father,
Ere the ages had begun,
Thou wast in the Father’s glory,
God’s unique begotten Son.
When to us the Father gave Thee,
Thou in person wast the same,
All the fullness of the Father
In the Spirit to proclaim.
2
By Thy death and resurrection,
Thou wast made God’s firstborn Son;
By Thy life to us imparting,
Was Thy duplication done.
We, in Thee regenerated,
Many sons to God became;
Truly as Thy many brethren,
We are as Thyself the same.
3
Once Thou wast the only grain, Lord,
Falling to the earth to die,
That thru death and resurrection
Thou in life may multiply.
We were brought forth in Thy nature
And the many grains became;
As one loaf we all are blended,
All Thy fullness to proclaim.
4
We’re Thy total reproduction,
Thy dear Body and Thy Bride,
Thine expression and Thy fullness,
For Thee ever to abide.
We are Thy continuation,
Thy life-increase and Thy spread,
Thy full growth and Thy rich surplus,
One with Thee, our glorious Head.

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Joanna Smathers Smathers

Baton Rouge, LA, United States

Oct 23, 2026

Yes, Astounding, we in Him and He in us! In the bosom of the Father. Marvelous coinhering. How can we not but Praise.

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VC

Tampa, Fl, United States

Sep 27, 2026

❤️Father you are my EVERYTHING ❤️

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Shekinah

Chennai, Tamil Nadu, India

Jul 26, 2026

Good

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Tina Barton

Lubbock, Texas, United States

Nov 15, 2025

We're Thy total reproduction, Thy dear Body and thy Bride.

Read more
Francis Y Chow

New York City, New York, United States

Oct 19, 2025

We're Thy total reproduction,
Thy dear Body and Thy Bride,
Thine expression and Thy fulness,
For Thee ever to abide.
We are Thy continuation,
Thy life-increase and Thy spread,
Thy full growth and Thy rich surplus,
One with Thee, our glorious Head.

Read more
Un Hermano

Aug 13, 2025

4. The Expression of the Father

Christ is the expression of the Father. As the Son He is the issue, the coming out, of God, and He is also the expression of the Father. Because the Son expressed the Father, the Son is the expression of the Father.

Christ’s being the Word is mainly to express God the Father by declaring, defining, and revealing Him ( John 1:18 ). The more the Son speaks, the more God the Father is expressed.

In the Old Testament God spoke in the prophets, in men moved by His Spirit ( Heb. 1:1 ; 2 Pet. 1:21 ). In the New Testament He speaks in the Son, who is God Himself expressed ( Heb. 1:2-3 ). God the Father is hidden; God the Son is expressed. No one has ever seen God, but the Son as the Word of God, as the speaking of God, has declared and expressed Him. Whereas God spoke through the prophets in the Old Testament, He did not have Himself expressed. But in the New Testament God speaks in the Son, who expresses Him. Formerly God spoke through the prophets indirectly, but now He speaks directly in the Son, that is, in the One who is the expression of the Father.

John 1:18 says, “No one has ever seen God; the only begotten Son, who is in the bosom of the Father, He has declared Him. ” Here we see that the One who expresses the Father is the only begotten Son of God, who was in the bosom of the Father from eternity past and who is still in the bosom of the Father after incarnation. The only begotten Son was, is, and always will be in the bosom of the Father. The words of John 1:18 are simple, but the meaning is profound. The dear, only begotten of the Father is continually in the bosom of the Father to declare the Father. This is the way He declares the Father and brings us into the enjoyment of the Father.

The Conclusion of the
New Testament:
God, Christ, and the Spirit,
Volume 1 Message 22 (LSM)

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Un Hermano

Aug 13, 2025

E. In the Only Begotten Son of God

This declaration of God is in the only begotten Son of God who was in the bosom of the Father from eternity past and who is still in the bosom of the Father after incarnation. Thus, verse 18 says, “No one has ever seen God: the only begotten Son, who is in the bosom of the Father, He has declared Him. ” The only begotten Son was with God the Father and was, is, and always will be in the bosom of the Father. The words of verse 18 are simple, but the meaning is profound. Can you say what is the bosom of the Father? I have not heard a definition that can satisfy me. This matter is too intimate, too deep, and too profound. I simply cannot tell you what it means because I lack the understanding and the utterance. Nevertheless, we know that this dear, only begotten of the Father is continually in the bosom of the Father to declare the Father. This is the way in which He declares the Father and brings us into the enjoyment of the Father.

Life-study of John

Message 3 (LSM)

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Stephen Bellingham

Irvine, CA, United States

Jul 27, 2025

"We are Thy continuation,
Thy life-increase and Thy spread,
Thy full growth and Thy rich surplus,
One with Thee, our glorious Head."
This is astounding!

Read more
V C

Tampa, Fl, United States

Jul 27, 2025

♥️ By Thy death and resurrection,
Thou wast made God’s firstborn Son;
By Thy life to us imparting,
Was Thy duplication done.
We, in Thee regenerated,
Many sons to God became;
Truly as Thy many brethren,
We are as Thyself the same. ♥️

Read more
Danica

Pasig City, Metro Manila, Philippines

Jul 18, 2025

As one loaf we all are blended,
All Thy fulness to proclaim.
How glorious!

Read more