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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Great is Thy faithfulness

Worship of the Father His Faithfulness

English19
1
“Great is Thy faithfulness,” O God my Father,
There is no shadow of turning with Thee;
Thou changest not, Thy compassions, they fail not
As Thou hast been Thou forever wilt be.
 
“Great is Thy faithfulness!” “Great is Thy faithfulness!”
Morning by morning new mercies I see;
All I have needed Thy hand hath provided—
“Great is Thy faithfulness,” Lord, unto me!
2
Summer and winter, and springtime and harvest,
Sun, moon and stars in their courses above,
Join with all nature in manifold witness
To Thy great faithfulness, mercy and love.
3
Pardon for sin and a peace that endureth,
Thine own dear presence to cheer and to guide;
Strength for today and bright hope for tomorrow,
Blessings all mine, with ten thousand beside!

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Sharon Walter

Missouri City, TX, United States

Feb 8, 2020

This song has been in my spirit for the past few days. When I think about how all nature operates each day because of God’s faithfulness, it reminds me how much He loves me and I have nothing to fear.

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Michael Kenechukwu Ogbe

Lagos, Lagos State, Nigeria

Feb 6, 2020

Inspiring.. Been on this song for a week. Brighter Hope for tomorrow. Soul lifting, found so much strength in the chorus.. Much love for God my Father

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Chidiebere Felix

Myanmar, Imo State, Nigeria

Feb 4, 2020

great is God, I was happy that I can be able to get these song here, my blessing overflowers Through it

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Udoka

Lagos, Nigeria

Feb 3, 2020

This song is a soul lifter. I woke up this morning with the song in my heart. A great reminder that my God has always been faithful. His promises to me he has always fulfilled. I am praying for grace to reciprocate this great love.

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Finnoan Okere

Isolo, Lagos, Nigeria

Feb 2, 2020

"Strength for today and bright hope for tomorrow, blessings all mine with ten thousand beside"

A testimony to his continued support and sustenance.

This hymn always a soul lifter when life's gloom sets in.

Our prayers and our hearts are with each and everyone going through life's challenge's. it's sure well with your soul's.

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Chinedu Gift Ikwunga

Port Harcourt, Rivers, Nigeria

Jan 25, 2020

This poetic hyme is ministering hope, strength and revival to my soul, especially at the time of this piece my life was disorganized without direction, failure, betrayal, disappointment, wrong decision and mistakes beseeched my Life with confusion, But God showed me mercy and gave me direction. Thank you Jesus.

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Ana Lara

United States

Jan 20, 2020

Thomas Obadiah Chisholm was born in a log cabin in Franklin, Kentucky, on July 29, 1866. Even though he didn’t receive a a higher education, he began his career as a school teacher at the age of sixteen in the same school house where he had received his elementary training. At twenty-one, he became the associate editor of his home town weekly newspaper, “The Franklin Favorite. ” Six years later he accepted Christ as his personal Savior during a revival meeting given in Franklin by Dr. H. C. Morrison. Thomas was invited by Dr. Morrison to become office editor and business manager of Morrison’s publication, the “Pentecostal Herald, ” in Louisville Kentucky and he accepted! Later Chisholm was ordained pastor of the Methodist Church but was forced to resign because of poor health. After 1909 he became a life insurance agent in Winona Lake and later in Vinland, New Jersey. Thomas Chisholm retired in 1953 and spent his remaining years at the Methodist Home for the Aged in Ocean Grove, New Jersey. He passed away on February 29, 1960.

This hymn is based on James 1:17 “Every good and perfect gift is from above, coming down from the Father of lights, with whom there is no variation or shadow cast by turning. ”

Out of all the hymns written on the theme of God’s goodness and faithfulness, this one is the favorite of many believers. It was birthed not from the author’s dramatic experiences but from a day by day realization of God’s faithfulness.

In a letter dated 1941, Mr. Chisholm writes, “My income has not been large at any time due to impaired health in the earlier years which has followed me until now. Although I must not fail to record here the unfailing faithfulness of a covenant-keeping God and that He has given me many wonderful displays of His providing care, for which I am filled with astonishing gratefulness."

In 1923 Mr. Chisholm sent several of his poems to Rev. W. M. Runyan, a musician associated with the Moody Bible Institute and an editor with the Hope Publishing Company. My Runyan wrote this comment about Chisholm’s poem:

“This particular poem held such an appeal that I prayed more earnestly that my tune might carry over its message in a worthy way, and the subsequent history of its use indicates that God answered prayer." It was written in Baldwin, Kansas, in 1923, and was first published in my private song pamphlets.

This hymn was the favorite of the late Dr. Will Houghton who became the fourth president of Moody Bible Institute. It has since been an all-time favorite with students at the school. Bev Shea states that this hymn was first introduced in Great Britain in 1954 by the Billy Graham Crusades and has been a favorite as well.

Thomas Chisholm is also the author of “Living for Jesus.”

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Chikanka

Port Harcourt, Nigeria

Jan 18, 2020

This hymn ministers strength and hope to me especially at this time.

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Isaac Chioma

Lagos Island, Lagos, Nigeria

Jan 16, 2020

God is great and faithful... I really love this medium of singing hymn to God.

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Maggie

Nairobi, Kenya

Jan 1, 2020

Great is our GOD! Hallelujah!

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