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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Majestic sweetness sits enthroned

Praise of the Lord His Beauty

English177
1
Majestic sweetness sits enthroned
Upon the Savior’s brow;
His head with radiant glories crowned,
His lips with grace o’erflow.
2
No mortal can with Him compare
Among the sons of men;
Fairer is He than all the fair
That fill the heavenly train.
3
To Him I owe my life and breath,
And all the joys I have;
He makes me triumph over death,
And saves me from the grave.
4
To God, the Father, my abode,
He brings my weary feet;
Shows me the glories of my God,
And makes my joys complete.
5
Since from His bounty I receive
Such proofs of love divine,
Had I a thousand hearts to give,
Lord, they should all be Thine.

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Kim Seer

General Trias, Cavite, Philippines

Apr 6, 2024

Little did I know there are moments I was captivated by other things but there is still this feeling of vain and emptiness. I was reminded by the line that ‘Fairer is He than all the fair’. It declares that the Lord’s beauty surpasses that of anyone else. Lord, may I be more captivated and filled by Your beauty.

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Ana Lara

United States

Mar 13, 2020

This is one of the finest hymns found in evangelical hymnals. The dominant theme of this text is the adoration of the person of Christ and the work He did on our behalf. The original hymn had nine stanzas and was titled “The Chief Among Ten Thousand” or “The Excellencies of Christ. ”

Samuel Stennett was born in Exeter, England, in 1727. His father, Dr. Joseph Stennett, was a well-known Baptist pastor of the Little Wild Street Church in London. In 1748 Samuel became an assistant to his father and ten years later succeed him as the pastor of that church. For the next thirty-seven years, Stennett served as its pastor where he became a prominent preacher of his day. It is said that he was well acquainted with King George III who was one of his best admirers. In 1793 he was awarded the Doctor of Divinity by the University of Aberdeen in recognition for his many accomplishments. Samuel Stennett died in London on August 24, 1795. He served the Lord faithfully in his lifetime.

Dr. Stennett authored many books on theological subjects and wrote thirty-nine hymns. Most of these hymns were contributed to Rippon’s famous Baptist collection. This one became Stennett’s best known hymn which is still used today.

This hymn’s popularity was heightened by the tune composed for it in 1837 by the talented American musician Thomas Hastings. Hastings is credited with being one of the most influential church musicians of the nineteenth century in raising the standards of sacred music. Even though he suffered with an eye affliction, he composed over 1, 000 hymn tunes as well as more than 600 hymn texts. Some of these hymns include “ From Every Stormy Wind That Blows” and “Rock of Ages. ”

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Toyin Diyan

London, United Kingdom

Dec 1, 2018

Lord if I a thousand hearts to give, they should all be Thine!

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Steve Miller

Detroit, MI, United States

Sep 14, 2014

There are 2 additional stanzas between following stanza 1 above:

To Christ, the Lord, let every tongue
Its noblest tribute bring
When He’s the subject of the song,
Who can refuse to sing?
----------------------------------------------
Survey the beauties of His face,
And on His glories dwell;
Think of the wonders of His grace,
And all His triumphs tell,
-----------------
The following 2 stanzas follow the hymnal.net stanza #2
He saw me plunged in deep distress
And flew to my relief;
For me He bore the shameful cross
And carried all my grief,
------------
His hand a thousand blessings pours
Upon my guilty head:
His presence gilds my darkest hours,
And guards my sleeping bed,
---------------
Line #1 of hymnal.net stanza #4 originally says:
To Heav’n, the place of His abode,

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Moses

St Petersburg, Florida, United States

Jun 9, 2011

It was such a blessing to sing along with words for my morning devotion. This is one of my most beloved hymns. Thank you so much for your ministry. May god bless your heart and grant you all your heart's desire for His glory.

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