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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Thou art the lovely Bridegroom

Praise of the Lord His Beauty

English170
1
Lord, Thou art the lovely Bridegroom,
God appointed, dear to us;
Thy dear self is so attractive,
To our heart so beauteous!
2
Dear Beloved, we admire Thee,
Who can tell Thy preciousness;
All Thy love we deeply treasure
And Thine untold loveliness.
3
Thou art fairer than the fairest,
Thou art sweeter than the sweet;
Thou art meek and Thou art gracious,
None can e’er with Thee compete.
4
Full of myrrh are all Thy garments,
And Thy lips are filled with grace;
In the savor of Thy suffering,
We in love Thyself embrace.
5
It is with the oil of gladness
Thy God hath anointed Thee;
From the palaces of ivory
Praise shall ever rise to Thee.
6
God hath blessed Thee, Lord, forever,
Thou hast won the victory;
Now we see Thee throned in glory
With Thy pow’r and majesty.
7
Thou art the desire of nations,
All Thy worth they’ll ever prove;
Thou, the chiefest of ten thousand,
Ever worthy of our love.

Copyright Living Stream Ministry. Used by permission.

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Zoe

Invercargill, New Zealand

Mar 27, 2026

"As the Bridegroom, He is the pleasant person for our enjoyment. When He is present, there is no need of fasting. When He is present, there should not be any sadness. Instead, everything should be pleasant." So sweet! No sadness! No need to fast! So pleasant! Gazing on Him! Eventually we will be His bride! So glorious! Living enjoyment in His presence!

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Un Hermano

Jul 31, 2025

JESUS PRESENTING HIMSELF AS THE BRIDEGROOM

The Lord Jesus did not argue or reply to John’s disciples and the Pharisees in a doctrinal way. He said to them, “The sons of the bridechamber cannot mourn as long as the bridegroom is with them, can they? ” (Matt. 9:15). He answered not with a doctrine but with a person. He referred to Himself as the Bridegroom! His presence caused them to rejoice, the presence of the Bridegroom. The Lord Jesus said nothing according to the teachings, according to the Scriptures, according to any quotation from the Bible in the old way. Neither did He say anything concerning Himself as the almighty God, the Creator, the Lord, or the Master. God in the religious concept is such a One, but the Lord Jesus mentioned nothing of this. On the contrary, He referred to Himself as a bridegroom.

A bridegroom is the most pleasant person in the entire universe. You say that you fear God, you want to please God, and you like to serve the Lord—that is good, but it is rather religious. Have you ever had the concept that your Lord Jesus Christ is not only the most holy God, the Creator, the almighty Lord, and the Master, but He is your Bridegroom, the most pleasant person? In the presence of the Bridegroom, fear is nonexistent. He is so lovely; He is so pleasant; we need not fear such a One. Hallelujah, we have the Bridegroom! The Lord Jesus said that the Bridegroom is here; the most pleasant person is here. Suppose that when He replied to the disciples of John and the Pharisees in such a way, John, James, and Peter suddenly shouted Hallelujah! Do you think the Lord Jesus would rebuke them? Surely not; the Lord Jesus would be so happy.

The Lord Jesus is so much to us: He is the very God, He is the Creator, He is the Lord, He is the Master, He is the Lamb who bears away our sins and accomplishes redemption in a full way, and He is also the One with the dove who imparts life into us and baptizes us with the Spirit. But besides all these, He is the Bridegroom. Eventually, at the end of the Bible, we have such a term, the wife of the Lamb (Rev. 21:9). This is a matter which is to some extent contrary to religion and religious thoughts. The Lamb is the Redeemer, but the Lamb who took away our sins on the cross is also our Bridegroom.

Christ versus Religion

Chapter 1 (LSM)

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Ana Lara

Storrs, Connecticut, United States

Apr 5, 2022

John Bacchus Dykes was born March 10, 1823. He is the composer of this tune and also of his most famous tune “Holy, Holy, Holy Lord God Almighty. ” Reginald Heber’s widow found among her dead husband’s papers, the words to one of the most powerful and beautiful hymns ever written but years would pass before the lines took their place in worship service around the world.

In 1861, a publisher rediscovered the words. He asked John Bacchus Dykes to furnish him with a tune. It made sense for him to turn to John who had a natural aptitude for music (he graduated with a music master that same year). He came from an evangelical background (father and grandfather) as well as musical family—his uncle an organist and his sister a poet and a hymnodist. John had been a church organist since he was 10 and also played the violin. He was co-founder and president of the Cambridge University Musical Society.

After John read the words to Holy, Holy, Holy, it took him 30 minutes to write the tune “Nicea” which today carries the praise of the Trinity to Christians everywhere.

The year after he composed this famous tune, John was appointed vicar of Saint Oswald, to put him in charge of the parish. He was 39 and had already held several lesser church posts. John’s parishioners came to love him. His bishop however did not care for John‘s views. John was “high-church. ” This meant that he stressed the continuity of the Church of England with the Roman Catholic church from which it had it has sprung. He believed that church and monarchy had divine rights which were being washed away by modern changes. There was a long-lasting disagreement between John and his bishop because of this.

Charles Baring, his bishop, refused to provide John with any help for his growing parish unless he would agree to conduct his services in a “low-church” style. He would have to get rid of clerical collars, stop burning incense and not turn his back on the congregation during the church service. John did not agree to do so and was left to handle the parish by himself, a task which exhausted him. Nonetheless, in addition to his regular duties, he managed to write over 300 hymn-tunes. These included some of the Christian faith’s most favorite hymns:

“Jesus, the Very Thought of Thee, ” “Take My Life and Let it Be, ” and “I Heard the Voice of Jesus Say” among others.

Worn out by his labors and constant friction with his bishop, John died on January 22, 1876. He was just 53 years old. Those who loved and admired him raised $10, 000 to support his widow and his children. He shares a grave with Mabel, his youngest daughter who died of scarlet fever in1870. Dyke’s grave is now the only marked grave in what is now a children’s playground.

Christianity. com

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Jeffrey Hall

The Church In Worcester, Massachusetts, United States

Feb 13, 2022

Christ is the focus of the Father, He has given Him to be head of all, and He has given Him to be all to us! Halleluia We have the all-inclusive Christ!

His righteousness prevails Forever, and we are One with Him! Glorious!

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Sue

Calgary, Canada

Jan 27, 2019

Lord, Thou art the lovely Bridegroom, God appointed, dear to us; Thy dear self is so attractive, To our heart so beauteous!

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Kitty Joubert

Bloemfontein, Free State, South Africa

Jun 12, 2014

O Lord Jesus, what a privilege to be chosen from Your family to be prepared as the bride....to wait for our Bridegroom who can come any day. Dear Beloved, we admire Thee. Thy dear is so attractive. God hath blessed Thee, Lord, forever. Thou hast won the victory...

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Raluca Surdu

Resita, Romania

Jan 3, 2009

Oh, what a precious treasure we have found indeed!!! Lord, You are so lovely we cannot stop to taste Your sweetness! Praise the Lord!

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Francis Salmazan

Bangkok, Thailand

Jul 6, 2008

Who can be compared to the beauty and preciousness of our Lord? I can only say an everlasting praise because He has found me and I have found Him! Praise the Lord, saints!

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Gabriel

White Rock, B.C., Canada

Apr 3, 2008

Lord, Thou art the lovely bridegroom, the Preciousness to Your believers. May we value and treasure You more, day by day!

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Jeannette DePaolo

Spokane, WA, USA

Apr 2, 2008

AWESOME! Thank You saints.

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