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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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With praise and thanksgiving there

Praise of the Lord His Salvation

English162
1
With praise and thanksgiving
There stands a great throng
In the presence of Jesus
And sing this new song.
 
Unto Him Who hath loved us
And washed us from sin,
Unto Him be the glory forever!
Amen!
2
All these once were sinners,
Defiled in His sight,
Now arrayed in pure garments,
In praise they unite.
3
He maketh the rebel
A priest and a king,
He hath bought us, and taught us
This new song to sing.
4
How helpless and hopeless
We sinners had been,
If He never had loved us till
Cleansed from our sin.
5
Aloud in His praises
Our voices shall ring,
So that others, believing,
This new song shall sing.

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Un Hermano

Jul 30, 2025

I. THE APPEARING OF GOD TO US

The appearing of God to us is related to our taking Christ as the offerings. As we confess our mistakes, failures, and wrongdoings, we spontaneously take Christ as our sin offering and trespass offering. This may lead us to take Him as our burnt offering. We may tell Him, “Lord Jesus, You are my burnt offering. I cannot be absolute for God, but You can. Now I take You, Lord, as my absoluteness for God. ” This kind of prayer indicates that we desire to live Christ for God’s satisfaction. The sin offering and the burnt offering will then lead us to take Christ as the meal offering. We will offer the top portion to God as His food, and we will feed on Christ as our daily food, as our daily life supply. Furthermore, we will be brought into a sense of peace, into a tranquil situation, and enjoy Christ as our peace, rest, satisfaction, and comfort. As the issue of taking Christ as all these offerings, God’s presence will be with us. This is the appearing of God to us. We cannot see Him or touch Him in a physical way, but we have the sense that He has appeared to us. Unable to deny the sense that God has appeared to us, we will want to worship and adore Him, offering to Him our praise and thanksgiving. This is the experience of the appearing of God to us as the result of our priestly service. We should have such an experience not only early in the morning but also during the day.

Life-study of Leviticus

Message 32 (LSM)

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Ana Lara

Storrs, Connecticut, United States

Oct 15, 2024

Arthur Tappan Pierson, was born on March 6, 1837, Manhattan, New York. He died June 3, 1911, Brooklyn, New York and was buried in Greenwood Cemetery in Brooklyn.

Arthur married Sarah Frances Benedict in 1860. He attended Hamilton College, Clinton, New York, and Union Theological Seminary, New York City. He was a pastor in Binghamton and Waterford, New York; Detroit, Michigan; Indianapolis, Indiana; and Philadelphia, Pennsylvania.

After retiring, he continued to preach in churches and conferences at home and abroad. Pierson was a contemporary and friend of many Christian leaders, including Dwight Moody, George Mueller, (whose biography he wrote), and Charles Spurgeon. During Spurgeon's last illness, Pierson filled the pulpit of the Metropolitan Tabernacle in London for several months.

Arthur Pierson is credited for writing over 25 works from the years of 1886 to 1909. He also wrote around 23 hymns and together with Adoriam Gordon, compiled the Coronation Hymnal.

Hymntime. com

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Jim Smith

Mansfield, Ohio, United States

Dec 6, 2023

I really enjoyed verse four of this hymn. It just dawned on me what it means if God didn’t love us until your cleanse from our sins. Our condition would be totally hopeless. If God didn’t love us, he would not have been willing to send his son. And without the son there would be no chance of redemption. We would be utterly hopeless. Praise the Lord God so loved us that He sent His son. The Son has come!. Now what a great hope we have!

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Jim Smith

Mansfield, Ohio, United States

Oct 2, 2023

I always enjoy this hymn. I particularly enjoy the chorus. We have many things to be thankful for in the verses. These bring us to the chorus to worship a to glorify Him. The chorus is straight out of Revelations chapter 1 verses five and six.

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David Martinez

Mexico

Aug 13, 2023

Let him save us from our hopelessness. Amen this is called H Ani Me

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Anonymous

Los Angeles, CA, United States

May 16, 2023

"And they sing a new song, saying: You are worthy to take the scroll and to open its seals, for You were slain and have purchased for God by Your blood men out of every tribe and tongue and people and nation, And have made them a kingdom and priests to our God; and they will reign on the earth." (Revelation 5:9-10) Recovery Version

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Ken

Rochester, MN-Minnesota, United States

Dec 1, 2022

All these where once sinners, defiled in his sight.

And such things were you, but you are washed, but you are sanctified, but you are justified in the name of the Lord Jesus and by the Spirit of our God!

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Christopher Burk

Seattle, Washington, United States

Oct 2, 2022

Amen that He maketh the rebel a priest and a king, He hath bought us, and taught us this new song to sing!

Praise the Lord!

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Ola Omitoyin

United Kingdom

Feb 15, 2022

Unto You be the Glory Lord, forever and ever. AMEN

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Yuri Reyes

Oregon, United States

Feb 21, 2021

Thank you Lord for such enjoyment ever increasing!

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