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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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King of my life, I crown Thee now

Praise of the Lord His Love

English160
1
King of my life, I crown Thee now,
Thine shall the glory be;
Lest I forget Thy thorn-crowned brow,
Lead me to Calvary.
 
Lest I forget Gethsemane;
Lest I forget Thine agony;
Lest I forget Thy love for me,
Lead me to Calvary.
2
Show me the tomb where Thou wast laid,
Tenderly mourned and wept;
Angels in robes of light arrayed
Guarded Thee while Thou slept.
3
Let me like Mary, through the gloom,
Come with a gift to Thee;
Show to me now the empty tomb,
Lead me to Calvary.
4
May I be willing, Lord, to bear
Daily my cross for Thee;
Even Thy cup of grief to share,
Thou hast borne all for me.
5
Fill me, O Lord, with Thy desire
For all that know not Thee;
Then touch my lips with holy fire,
To speak of Calvary.

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Frank Alcamo

Oceanside, New York, United States

Feb 22, 2018

Lord make us willing Lord to bear, daily our cross for Thee.

And to the world Thy love to share, lead us to Calvary.

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Sashisenla Kichu

Ghuwahati, Assam, India

Dec 26, 2017

Today I really feel like singing this song and it refreshes my spirit.

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Sophia Damond

Saint Vincent And The Grenadines

Dec 19, 2017

This has always been my favourite growing in church. He truly is the king of my life.

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Christu Dasu Yohannan

Cleveland, Ohio, United States

Nov 25, 2017

After reading the crucification passage from Luke 23 and the post-resurrection encounters in Luke 24, the Holy Spirit refreshed me with the words from this song, which I've come to love and cherish... It helped me feel the warmth and nearness of our Lord in a real sense... Christian, Don't forget to remember Him.

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Jacob Varghese

Kotagiri, Near KMF, India

Oct 5, 2017

An old hymn but million worth. Today after a long time heard this and refreshed me.

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Rebecca Marie Schrock

Arthur, IL, United States

Apr 14, 2017

Love this song - my heart ponders every Easter.

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Roger

Nottingham, United Kingdom

Mar 5, 2017

Thrills me forever even though I'm in my eighties now!

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Lorna King

Brooklyn, New York, United States

Feb 20, 2016

A song that always takes me back to God's amazing love. Thank You Lord for Calvary.

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Anne Ogutu

Irving, TX, United States

Mar 7, 2014

If we who confess to be Christians can be brought to the full understanding of what CHRIST did at Calvary. No one would have a reason to complain over anything. Every trial we face is GOD's love to perfect our characters. Paul wrote "We are troubled on every side, YET not distressed; we are perplexed, BUT not in despair; Persecuted, BUT not forsaken; cast down, BUT not destroyed. For which cause we faint not; but though our outward man perish, YET the inward man is renewed day by day. For our LIGHT afflictions, which is but for a MOMENT, worketh for us a far more exceeding and ETERNAL WEIGHT of glory. While we look not at the things which are seen but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen aare etetnal." 2 Cor.4:7-9, 16-18 so I crown the KING of my life.... "Thine shall the glory be!" what I experience here as the greatest trials cannot be compared with what JESUS went through at Calvary. What kind of love was that displayed on the cross and lifted high on a hill.

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Glenn

Fullerton, CA, United States

May 30, 2012

The testimony of Jennie Hussey (shared by the other comment), is such a picture of dying daily, and living to Him! We should treasure the opportunities given to us to bear His Cross rather than complain in this life. Only He can supply us through all of our trials, but the experience of the Cross will truly bring forth fruit for eternity.

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