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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

惟恐我忘客西馬尼

讚美主 祂的受苦

Chinese80
1
我今俯伏,生命的王,
奉獻榮耀於你;
惟恐我忘你的受創,
領我去髑髏地。
 
惟恐我忘客西馬尼,
惟恐我忘你心憂急,
惟恐我忘你愛無極,
領我去髑髏地。
2
何處是你被埋墳墓?
讓我前去哀悼;
天使是在何處守護?
當你息勞睡倒。
3
讓我效法馬利亞女,
前來向你獻禮;
請示空墓是在何許,
領我去髑髏地。
4
使我甘心天天為你
背起我十字架,
嘗你苦杯,我也願意,
因你為我被殺。
5
你願得著所有的人,
我求同此心意,
求用聖火潔我嘴脣,
來說你髑髏地。

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