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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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That which for long the prophets sought

Hope of Glory The Consummation of the Ages

English1319
1
That which for long the prophets sought,
The righteous yearned to see,
Has in these last of days appeared
In its reality.
 
And we’re now in the final stages,
’Tis the completion of all the ages.
All those who believed the promise
Are perfected now in us.
2
Oh, blessed are our eyes that see,
Our ears, how blessed to hear;
Things angels ne’er could look into
Are now to us made clear.
3
Our sense is corporate, bold and strong,
His grace, how free to take;
Encouraging the others on,
Run for the kingdom’s sake.
4
We’re weary not this race to run,
It makes our joy complete;
For this we know, around the bend,
The Lord we’ll surely meet.

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Pwt

Burlington, MA, United States

Jul 9, 2025

“Luke 10:23 And turning to the disciples, He said privately, Blessed are the eyes which see the things that you see.

Luke 10:24 For I tell you that many prophets and kings have wanted to perceive the things that you see, and have not perceived them, and to hear the things that you hear, and have not heard them. ”

“1Peter 1:10 Concerning this salvation the prophets, who prophesied concerning the grace that was to come unto you, sought and searched diligently,

1Peter 1:11 Searching into what time or what manner of time the Spirit of Christ in them was making clear, testifying beforehand of the sufferings of Christ and the glories after these.

1Peter 1:12 To them it was revealed that not to themselves but to you they ministered these things, which have now been announced to you through those who preached the gospel to you by the Holy Spirit sent from heaven, which things angels long to look into. ”

“Hebrews 11:39 And these all, having obtained a good testimony through their faith, did not obtain the promise,

Hebrews 11:40 Because God has provided something better for us, so that apart from us they would not be made perfect. ”

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Nene

Markham, ON, Canada

Jan 25, 2025

Alleluia! We are now in the final stages!
Oh Lord keep our eyes on You!
Soon we see Your face Lord! Amen!

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Keturrah

Toronto, ON, Canada

May 1, 2024

Wow!! Yeah blessed are our eyes that see, and our ears, how blessed to hear;

things angels ne’er could look into

are now to us made clear.

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Deanna

CA, United States

Nov 17, 2023

thank you, I signed on for encourahgement, love all these hymns. See you all there or in the air soon and very soon!!!

same arrangement as:

I know not why God’s wondrous grace. To me He hath made known, Nor why, unworthy, Christ in love Redeem me for His own.

Chorus: But “I know Whom I have believe And am persuaded that He is able To keep that which I’ve committed Unto Him against that day."

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Genevieve Mannel

Cape Town, South Africa

Nov 15, 2023

Oh, blessed are our eyes that see,
Our ears, how blessed to hear;
Things angels ne’er could look into
Are now to us made clear...
... We are truly blessed.

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Benjamin Lee

New York City, New York, United States

Jul 4, 2023

And we’re now in the final stages,
’Tis the completion of all the ages.
All those who believed the promise
Are perfected now in us.

Read more
Francis Y. Chow

Anaheim, California, United States

Mar 29, 2020

And we’re now in the final stages, ’Tis the completion of all the ages. All those who believed the promise Are perfected now in us.

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Jaime

Dec 31, 2012

It is indeed the final stages, and we await the Lord's return soon.

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Martin

Riverside, CA, United States

May 22, 2008

We are now in the final stages, this is the completion of all the ages. The Lord is around the bend, so run and do not be weary. Look away unto Jesus! Enjoy Him in His Body, expressed in your localty with the recovery version Bible study groups.

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