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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Glory be to God

Blessing of the Trinity His Praise

English9
1
Glory be to God the Father,
Glory be to God the Son,
Glory be to God the Spirit,
Great Jehovah, Three in One!
As it was, is now, and shall be
While the endless ages run.

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Un Hermano

Jun 27, 2025

Many times when we pray-read the word of the Bible in this way, it causes us to be inspired and weep. Not only the word of the Bible but even the hymns affect us in this way. A few days ago I sang Hymns, #1. I love that hymn very much. The first stanza says, “Glory be to God the Father, / And to Christ the Son, / Glory to the Holy Spirit—/ Ever One. ” Stanza 2 says, “As we view the vast creation, / Planned with wondrous skill, / So our hearts would move to worship, / And be still. ” When I came to this stanza, my tears came down. Then stanza 3 says, “But, our God, how great Thy yearning / To have sons who love. ” By reading this I knew that what God wants is not even the beautiful creation; He yearns to have many sons. Regardless of whether it is the word of the Bible or the hymns, if we read with a spirit of prayer, often we will be moved and will shed tears. This experience shows that the life-giving Spirit, through the prayers and petitions of the believers, mingles with the Lord’s words to make them spirit and life, that is, the Spirit who gives life.

The Issue of the Union of the Consummated Spirit of the Triune God and the Regenerated Spirit of the Believers

Chapter 1 (LSM)

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Ana Lara

Storrs, Connecticut, United States

Nov 3, 2019

Over 150 ago in the capital city of Edinburgh, a long standing conflict within the official Kirk (Church) of Scotland finally came to a head in what is known in history as the Great Disruption of 1843. Scotland had strong embraced its home grown version of Calvinism known as Presbyterianism, in the late 16C, a church ruled by a board elders at the local level.

Ever since the absorption of the Scottish Parliament into Great Britain’s Parliament in the early 1700’s, there had been strong governmental pressure to allow the Scottish nobility, known as “lairds” to follow England’s example and appoint ministers of their own choosing. This usurped the local elders’ traditional rights and responsibilities to call a minister to lead the people according to Christ’s mandate along with the congregation’s spiritual needs and not according to the whims of a laird or the government.

After more than a century a discontented group of pastors walked out of the General Assembly in 1843, forming what came to be known as the Free Kirk of Scotland. Many leaving their livelihoods, church buildings and future security in order to follow their consciousness insisting that the Christ’s Church belongs to Christ alone.

Horatius Bonar who was born In Edinburgh, Scotland on December 19, 1808 and later became a prolific hymn writer along with two of his brothers and over 450 ministers was one of these brave souls. He was pastor of a church in Kelso located in the southern borderlands of Scotland.

In the same year as the Great Disruption he married Jane Catherine Lundie. Together they experienced the sorrow of loosing 5 of their young children to death in a fairly quick succession. Yet even in this they could see the hand of God: he wrote of this experience

“spare not the stroke; do with me as Thou wilt; let there be naught unfinished, broken or marred, complete Thy purpose that we may become Thy perfect image. ”

Later in life another tragedy had the unexpected result of bringing him some of the same joy that Job experienced later in his life; a surviving daughter was widowed and moved in with him - along with his five grandchildren!

Early in his ministry he realized that the children within his flock could not follow along with the metrical psalms used in Presbyterian worship. He valued children and desired above all else that they would have every opportunity to respond wholeheartedly to the living Christ. He found it necessary to start with simple hymns and simple tunes for children to understand. He often wrote new hymns in trains between evangelic journeys. He authored as many as 600 hymns in his lifetime.

It was not until 1866 when he became pastor of the Chalmers Memorial Chapel in Edinburgh that he introduced one of his hymns in the Sunday morning worship service. Two of the elders of the church walked out of the service.

Horatius Bonar walked into that “ light of life” until his “traveling days were done”, passing into the presence of the Lord in 1889. His wife had died thirteen years earlier. He desired no biography be written of him in order not to detract from the Lord’s glory and honor who belongs to Christ alone. Some of his hymns survived which we still enjoy today.

In this hymnal are found some of them: 9, 31, 186, 225, 226, 325, 326, 615, and 896.

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Henrich Brockhaus

Bellingham, WA, United States

Oct 11, 2017

How about three more stanzas?
Glory be to him who loved us,
Washed us from each spot and stain;
Glory be to him who bought us,
Made us kings with him to reign!
Glory, glory
To the Lamb that once was slain!
Glory to the King of angels,
Glory to the Church’s King,
Glory to the King of nations;
Heaven and earth, your praises bring!
Glory, glory
To the King of glory sing!
Glory, blessing, praise eternal!
Thus the choir of angels sing:
Honor, riches, power, dominion!
Thus its praise creation brings.
Glory, glory,
Glory to the King of Kings!

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Selah

Cagayan De Oro City, Philippines

Dec 3, 2012

Hallelujah to the Triune GOD!!!!!

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Cyryl Galloniga

Catalunan Grande, Davao City, Philippines

Jan 30, 2010

Right. We should eat and drink Him everyday. As believers kaylangn jud nato na mapahimuslan ug dili lng nakita maka hinumdom sa iya kundili.

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ara

Lapu-lapu, Cebu, Philippines

Jan 29, 2008

How wonderful is God's plan... Amen.. we are part of His economy.. He went through lots of things to accomplish His heart desire which involves the tripatite man..

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Ronaldo Joaquim Fernandes Panta

Brazil

Oct 15, 2005

Because I am a believer and I want to worship God.

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